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Cultural Resistance and Security from Below: Power and Escape through Capoeira (Routledge Studies in Development and Society)
by Zoë MarriageThis book uses the Afro-Brazilian art of capoeira to examine how security has been pursued from below and what significance this has for security analysis and policy. Illegal at the beginning of the twentieth century, capoeira is now a cultural institution and export that is protected by the Brazilian state and recognised by UNESCO, with capoeira players protecting and promoting their interests through the practice and development of their art. The book brings the musical and corporeal narrative from capoeira into conversation with debates on security; these have typically been dominated by northern, white, military voices, and as a result, the perspective of the weaker player is routinely overlooked in security literature and policy making. Bringing the perspective of the weaker party, Cultural Resistance and Security from Below examines the distribution of security from two angles. First, it presents the history of the interaction between capoeira players and the Brazilian society and state that resulted in political and legal acceptance of capoeira. Second, it explores how the practice of capoeira generates knowledge of identities, explanations and values, and how this knowledge empowers communities of players and is communicated to society more broadly. The book then turns to consider how capoeira resists within Brazil's contemporary context of insecurity, and what significance the knowledge and power, along with capoeira's core move of escape, have to security analysis and policy. The book concludes by taking the lessons from capoeira to inform understanding of other cultural activities and ways of life as potential sites and forms of resistance. Conceptually and methodologically original, this book will be of interest to scholars and students in the fields of security studies, development studies, political science and international studies. It will also be of interest to those scholars interested in the changing interaction between politics and the arts.
Cultural Resource Management: A Collaborative Primer for Archaeologists (Heritage Resources Management Ser. #Vol. 1)
by Thomas F. KingStressing the interdisciplinary, public-policy oriented character of Cultural Resource Management (CRM), which is not merely “applied archaeology,” this short, relatively uncomplicated introduction is aimed at emerging archaeologists. Drawing on fifty-plus years’ experience, and augmented by the advice of fourteen collaborators, Cultural Resource Management explains what “CRM archaeologists” do, and explores the public policy, ethical, and pragmatic implications of doing it for a living.
Cultural Resources: Planning And Management
by Jr. DickensCultural resource management is a new and vital field that has come about as a result of intensified federal efforts to identify, evaluate, and manage cultural resources as an element of the environment. Anthropologists, sociologists, historians, folklorists, planners, and others have had to pool their talents and knowledge to properly respond to n
Cultural Resources: Planning And Management
by Jr. DickensCultural resource management is a new and vital field that has come about as a result of intensified federal efforts to identify, evaluate, and manage cultural resources as an element of the environment. Anthropologists, sociologists, historians, folklorists, planners, and others have had to pool their talents and knowledge to properly respond to n
Cultural Revolution?
by Bart Moore-Gilbert John SeedFirst published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Cultural Revolution?: The Challenge Of The Arts In The 1960s
by Bart Moore-Gilbert John SeedFirst published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
The Cultural Revolution: 1967 in Review (Michigan Monographs In Chinese Studies #2)
by Michel Oksenberg Carl Riskin Ezra F. VogelThe Chinese Communist system was from its very inception based on an inherent contradiction and tension, and the Cultural Revolution is the latest and most violent manifestation of that contradiction. Built into the very structure of the system was an inner conflict between the desiderata, the imperatives, and the requirements that technocratic modernization on the one hand and Maoist values and strategy on the other. The Cultural Revolution collects four papers prepared for a research conference on the topic convened by the University of Michigan Center for Chinese Studies in March 1968. Michel Oksenberg opens the volume by examining the impact of the Cultural Revolution on occupational groups including peasants, industrial managers and workers, intellectuals, students, party and government officials, and the military. Carl Riskin is concerned with the economic effects of the revolution, taking up production trends in agriculture and industry, movements in foreign trade, and implications of Masoist economic policies for China’s economic growth. Robert A. Scalapino turns to China’s foreign policy behavior during this period, arguing that Chinese Communists in general, and Mao in particular, formed foreign policy with a curious combination of cosmic, utopian internationalism and practical ethnocentrism rooted both in Chinese tradition and Communist experience. Ezra F. Vogel closes the volume by exploring the structure of the conflict, the struggles between factions, and the character of those factions.
The Cultural Revolution at the Margins: Chinese Socialism In Crisis
by Yiching Wu WuThe Cultural Revolution began from above, yet it was students and workers at the grassroots who advanced the movement's radical possibilities by acting and thinking for themselves. Resolving to suppress the resulting crisis, Mao set events in motion in 1968 that left out in the cold those rebels who had taken it most seriously, Yiching Wu shows.
The Cultural Revolution at the Margins: Chinese Socialism In Crisis
by Yiching Wu WuThe Cultural Revolution began from above, yet it was students and workers at the grassroots who advanced the movement's radical possibilities by acting and thinking for themselves. Resolving to suppress the resulting crisis, Mao set events in motion in 1968 that left out in the cold those rebels who had taken it most seriously, Yiching Wu shows.
Cultural Revolution in Iran: Contemporary Popular Culture in the Islamic Republic (International Library Of Iranian Studies)
by Annabelle Sreberny Massoumeh TorfehThe Islamic Republic of Iran is several decades into its existence and the values and legacy of the Revolution upon which it was founded continue to have profound and contradictory consequences for everyday Iranian life. Despite a powerful system of surveillance and control, an extremely lively cultural milieu exists in the country, utilising many different forms of expression, including film, theatre, music and dance. Cultural Revolution in Iran examines the diverse areas of social andcultural innovation that are driving change and progress, both negotiating and resisting government policies and censorship. While religious conservatism remains the creed of the establishment, this volume uncovers a hidden world of new technologies, social media and entertainment that speaks both to women seeking a greater public role and to a restlessyounger generation that organises and engages with global trends online. In this volume, Annabelle Sreberny and Massoumeh Torfeh highlight the huge range of cultural activities which allow Iranians to express themselves, voice their coded opinions in between the 'red lines' of censorship and even engage in social and civil disobedience. From film to rockmusic and from painting to video games, there is a vast array of cultural expression and dissent that often eludes the international observer. For example, film production in Iran is highThe Islamic Republic of Iran is several decades into its existence and the values and legacy of the Revolution upon which it was founded continue to have profound and contradictory consequences for everyday Iranian life. Despite a powerful system of surveillance and control, an extremely lively cultural milieu exists in the country, utilising many different forms of expression, including film, theatre, music and dance. Cultural Revolution in Iran examines the diverse areas of social and cultural innovation that are driving change and progress, both negotiating and resisting government policies and censorship. While religious conservatism remains the creed of the establishment, this volume uncovers a hidden world of new technologies, social media and entertainment that speaks both to women seeking a greater public role and to a restless younger generation that organises and engageswith global trends online. In this volume, Annabelle Sreberny and Massoumeh Torfeh highlight the huge range ofcultural activities which allow Iranians to express themselves, voice their coded opinions in between the 'red lines' of censorship and even engage in social and civil disobedience. From film to rock music and from painting to video games, there is a vast array of cultural expression and dissent that often eludes the international observer. For example, film production in Iran is high and women directors, such as Rakhshan Bani-Etemad, Samira Makhmalbaf and Manijeh Hekmat, have come to the fore, making both popular but also prize-winning films. In addition to this, there is a vibrant music scene in Iran where many performances occur literally 'underground', in private basements, as illegal activity. Sometimes an audience has to wait patiently in the auditorium for the start of a public performance – for example, to hear Morteza Shafiei conducting the Isfahan Symphony Orchestra – whilst the organisers debate with the authorities as to whether the performancecan go ahead or not. It is these activities and modes of communication and expression that are centralto this volume, making Cultural Revolution in Iran essential for those researching the modern Iranian state as well as those looking at everyday life and popular culture under authoritarian governments and women directors, such as Rakhshan Bani-Etemad, Samira Makhmalbaf and Manijeh Hekmat, have come to the fore, making both popular but alsoprize-winning films. In addition to this, there is a vibrant music scene in Iran where many performances occur literally 'underground', in private basements, as illegal activity. Sometimes an audience has to wait patiently in the auditoriumfor t
Cultural Revolution Manuscripts: Unofficial Entertainment Fiction from 1970s China (Chinese Literature and Culture in the World)
by Lena HenningsenThis book investigates handwritten entertainment fiction (shouchaoben wenxue) which circulated clandestinely during the Chinese Cultural Revolution. Lena Henningsen’s analyses of exemplary stories and their variation across different manuscript copies brings to light the creativity of these readers-turned-copyists. Through copying, readers modified the stories and became secondary authors who reflected on the realities of the Cultural Revolution. Through an enquiry into actual reading practices as mapped in autobiographical accounts and into intertextual references within the stories, the book also positions manuscript fiction within the larger reading cosmos of the long 1970s. Henningsen analyzes the production, circulation and consumption of these texts, considering continuities across the alleged divide of the end of the Mao-era and the beginning of the reform period. The book further reveals how these texts achieved fruitful afterlives as re-published bestsellers or as adaptations into comic books or movies, continuing to shape the minds of their audience and the imaginations of the past.Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Cultural Rhythmics: Applied Anthropology and Global Development from Latin America (Emerald Points)
by Gonzalo IparraguirrePresenting an anthropological tool for decision makers and academics who deal with the well-known limitations of linear models of development, Cultural Rhythmics proposes future design strategies useful for business, community leaders, political decision-makers and scientists from all over the world. Framed in the field of applied anthropology and development studies with an action-research pragmatic perspective, Iparraguirre analyses four study cases, calling attention to a specific set of rhythms of life and imaginaries. Introducing cultural rhythmics as a new method to study temporality, spatiality, and rhythms of daily life simultaneously rather than as separate elements, this pioneering ethnographic and interpretative study combines over fifteen years of fieldwork in public sector management of development programs with a symbolic analysis of cultural imaginaries and rhythms of life. Analyzing the symbolic dimension of development in Argentina, Cultural Rhythmics deploys alternative proposals for political and scientific management of these processes in Latin America. Beyond an innovative analysis of the cases presented, Iparraguirre’ s rhythmics perspective can be extrapolated to the practices of development and agendas design in other territories of Argentina, Latin America and the Global South. A must-read for development scholars interested in a colonial matrix of thought, Cultural Rhythmics delves into the imaginaries of development and their correlated governance practices applicable in Latin America and beyond.
Cultural Rhythmics: Applied Anthropology and Global Development from Latin America (Emerald Points)
by Gonzalo IparraguirrePresenting an anthropological tool for decision makers and academics who deal with the well-known limitations of linear models of development, Cultural Rhythmics proposes future design strategies useful for business, community leaders, political decision-makers and scientists from all over the world. Framed in the field of applied anthropology and development studies with an action-research pragmatic perspective, Iparraguirre analyses four study cases, calling attention to a specific set of rhythms of life and imaginaries. Introducing cultural rhythmics as a new method to study temporality, spatiality, and rhythms of daily life simultaneously rather than as separate elements, this pioneering ethnographic and interpretative study combines over fifteen years of fieldwork in public sector management of development programs with a symbolic analysis of cultural imaginaries and rhythms of life. Analyzing the symbolic dimension of development in Argentina, Cultural Rhythmics deploys alternative proposals for political and scientific management of these processes in Latin America. Beyond an innovative analysis of the cases presented, Iparraguirre’ s rhythmics perspective can be extrapolated to the practices of development and agendas design in other territories of Argentina, Latin America and the Global South. A must-read for development scholars interested in a colonial matrix of thought, Cultural Rhythmics delves into the imaginaries of development and their correlated governance practices applicable in Latin America and beyond.
Cultural Rights and Justice: Sustainable Development, the Arts and the Body
by John ClammerThis book provides an innovative contribution to the emerging field of culture and development through the lens of cultural rights, arguing in favour of a fruitful dialogue between human rights, development studies, critical cultural studies, and concerns about the protection and preservation of cultural diversity. It breaks with established approaches by introducing the themes of aesthetics, embodiment, narrative and peace studies into the field of culture and development, and in doing so, proposes both an expanded conception of cultural rights and a holistic vision of development that not only includes these elements in a central way, but which argues that genuine sustainability must include the cultural dimension, including the notion of cultural justice as recognition, protection and respect extended to the many expressions of human imagination in this world.
The Cultural Rights Movement: Fulfilling the Promise of Civil Rights for African Americans
by Eric J. BaileyThis work espouses that though African Americans have come a long way, issues such as social, economic, health, educational, judicial, political, cultural, and civil rights are of such a critical nature that President Barack Obama must meet them head on and in a manner different from that of mainstream America.With an African American in the White House, there is no better time for assessing the progress the United States has made in protecting the rights of all its citizens. The Cultural Rights Movement: Fulfilling the Promise of Civil Rights for African Americans offers such an assessment, with an in-depth look at the Obama administration's proposed initiatives as they relate to the African American community and a survey of civil rights issues that need to be reexamined in light of Obama's election.The Cultural Rights Movement is a well-researched, powerfully written analysis of why a substantial number of blacks have yet to get their piece of the American dream. Coverage includes discriminatory lending practices; unfair Congressional redistricting; disparities in physician care and health outcomes; the low number of black students, faculty members and coaches in mainstream universities; the phenomenal high rate of blacks being arrested, convicted and incarcerated; the continual growth of black underemployment and poverty; and the near-total neglect of the reparations issue.
Cultural Rights of Third-Country Nationals in EU Law
by Anna Magdalena KosińskaCultural Rights of Third-Country Nationals in EU Law provides a complex analysis of the cultural rights of third-country nationals in European Union Law. Originally published in Polish and translated into English for the first time, this book examines EU migration policy and law from the perspective of cultural rights protection for migrants as a part of the overall system of human rights protection in the EU. In offering a careful analysis of these standards and their implementation mechanisms, Cultural Rights of Third-Country Nationals in EU Law will be of use to all researchers on EU law, especially in the areas of asylum law, migration law and the protection of the borders. It will also be useful to scholars and practitioners in the area of cultural policy.
Cultural Roads and Itineraries: Concepts and Cases
by Jonathan Paquette Aurélie Lacassagne Christophe AlcantaraThis book provides the first synthetic review of the literature on cultural roads and itineraries, providing a template for developing typologies and clarity on existing research. It additionally develops a unique conceptual framework for understanding the social, political, ethical, and spatial dynamics behind cultural roads and itineraries. The book takes the discussion on cultural roads in two different directions. Firstly, by taking a step back from tourism studies, leisure studies, and heritage studies in order to further the conversation on cultural roads with a broader set of disciplines, namely those in the humanities and social sciences. Secondly, through a series of broader theoretical reflections and considerations, the book draws its focus back to the development of the cultural road and cultural itineraries with a new conceptual apparatus that can inspire new questions for research and new ideas for practice. Throughout the text, concepts, theories, principles, and practices are explored and explained through detailed case study analyses.
Cultural Safety,Healthcare and Vulnerable Populations: A Critical Theoretical Perspective
by Lucy Mkandawire-ValhmuCulturally safe healthcare is rapidly challenging previous notions of cultural competency or cultural sensitivity in healthcare provision. The increasing number of vulnerable populations means healthcare must be given by a healthcare provider who has developed a social consciousness in relation to his or her own socio-cultural positioning versus that of the patient. A culturally safe practitioner has engaged in an active examination of the power differences existing in this patient-provider relationship. In this book, Lucy Mkandawire-Valhmu critically analyzes the complex issues affecting the health of vulnerable populations. Written from a critical theoretical perspective she seeks to enhance the ability of the healthcare student to develop a social consciousness about the realities faced by many populations living on the margins of society, and thereafter make an active and conscious decision to engage in culturally safe healthcare and contribute to the elimination of health disparities. Through the application of postcolonial feminist theory this book conceptualizes health as being historically situated in social relations of power and emphasizes health interventions that are potentially empowering, and enhance emancipatory change. Through discussions of health provision for ethnic minorities, immigrant populations, and refugees, the book seeks to provide pragmatic guidance for culturally safe care for a variety of marginalized populations and invites students and professionals to think deeply about the implications of power, culture and health.
Cultural Safety,Healthcare and Vulnerable Populations: A Critical Theoretical Perspective
by Lucy Mkandawire-ValhmuCulturally safe healthcare is rapidly challenging previous notions of cultural competency or cultural sensitivity in healthcare provision. The increasing number of vulnerable populations means healthcare must be given by a healthcare provider who has developed a social consciousness in relation to his or her own socio-cultural positioning versus that of the patient. A culturally safe practitioner has engaged in an active examination of the power differences existing in this patient-provider relationship. In this book, Lucy Mkandawire-Valhmu critically analyzes the complex issues affecting the health of vulnerable populations. Written from a critical theoretical perspective she seeks to enhance the ability of the healthcare student to develop a social consciousness about the realities faced by many populations living on the margins of society, and thereafter make an active and conscious decision to engage in culturally safe healthcare and contribute to the elimination of health disparities. Through the application of postcolonial feminist theory this book conceptualizes health as being historically situated in social relations of power and emphasizes health interventions that are potentially empowering, and enhance emancipatory change. Through discussions of health provision for ethnic minorities, immigrant populations, and refugees, the book seeks to provide pragmatic guidance for culturally safe care for a variety of marginalized populations and invites students and professionals to think deeply about the implications of power, culture and health.
Cultural Science: A Natural History of Stories, Demes, Knowledge and Innovation (Criminal Practice Ser.)
by John Hartley Jason PottsCultural Science introduces a new way of thinking about culture. Adopting an evolutionary and systems approach, the authors argue that culture is the population-wide source of newness and innovation; it faces the future, not the past. Its chief characteristic is the formation of groups or 'demes' (organised and productive subpopulation; 'demos'). Demes are the means for creating, distributing and growing knowledge. However, such groups are competitive and knowledge-systems are adversarial. Starting from a rereading of Darwinian evolutionary theory, the book utilises multidisciplinary resources: Raymond Williams's 'culture is ordinary' approach; evolutionary science (e.g. Mark Pagel and Herbert Gintis); semiotics (Yuri Lotman); and economic theory (from Schumpeter to McCloskey). Successive chapters argue that:-Culture and knowledge need to be understood from an externalist ('linked brains') perspective, rather than through the lens of individual behaviour; -Demes are created by culture, especially storytelling, which in turn constitutes both politics and economics; -The clash of systems - including demes - is productive of newness, meaningfulness and successful reproduction of culture; -Contemporary urban culture and citizenship can best be explained by investigating how culture is used, and how newness and innovation emerge from unstable and contested boundaries between different meaning systems;-The evolution of culture is a process of technologically enabled 'demic concentration' of knowledge, across overlapping meaning-systems or semiospheres; a process where the number of demes accessible to any individual has increased at an accelerating rate, resulting in new problems of scale and coordination for cultural science to address. The book argues for interdisciplinary 'consilience', linking evolutionary and complexity theory in the natural sciences, economics and anthropology in the social sciences, and cultural, communication and media studies in the humanities and creative arts. It describes what is needed for a new 'modern synthesis' for the cultural sciences. It combines analytical and historical methods, to provide a framework for a general reconceptualisation of the theory of culture – one that is focused not on its political or customary aspects but rather its evolutionary significance as a generator of newness and innovation.
Cultural Selection
by A. Fog1. INTRODUCTION This book describes a new interdisciplinary theory for explaining cultural change. In contrast to traditional evolutionist theories, the present theory stresses the fact that a culture can evolve in different directions depending on its life conditions. Cultural selection theory explains why certain cultures or cultural ele ments spread, possibly at the expense of other cultures or cultural elements which then disappear. Cultural elements include social structure, traditions, religion, rituals, art, norms, morals, ideologies, ideas, inventions, knowledge, technology, etc. This theory is inspired by Charles Darwin's idea of natural selection, because cultural elements are seen as analogous to genes in the sense that they may be reproduced from generation to generation and they may undergo change. A culture may evolve because certain cultural elements are more likely to spread and be reproduced than others, analogously to a species evolving because individuals possessing certain traits are more fit than others to reproduce and transmit these traits to their offspring.
Cultural Semiotics: For a Cultural Perspective in Semiotics (Semiotics and Popular Culture)
by Anna Maria LorussoThrough a reevaluation of the work of some of the most important thinkers of the twentieth century, this book details how semiotics, social sense, and social communication can function together to analyze how culture works in the contemporary era.
Cultural Severance and the Environment: The Ending of Traditional and Customary Practice on Commons and Landscapes Managed in Common (Environmental History #2)
by Ian D. RotherhamThis major book explores commons, lands and rights of usage in common, traditional and customary practices, and the cultural nature of ‘landscapes’. Importantly, it addresses now critical matters of ‘cultural severance’ and largely unrecognized impacts on biodiversity and human societies, and implications for conservation, sustainability, and local economies. The book takes major case studies and perspectives from around the world, to address contemporary issues and challenges from historical and ecological perspectives. The book developed from major international conferences and collaborations over around fifteen years, culminating ‘The End of Tradition?’ in Sheffield, UK, 2010. The chapters are from individuals who are both academic researchers and practitioners. These ideas are now influencing bodies like the EU, UNESCO, and FAO, with recognition by major organisations and stakeholders, of the critical state of the environment consequent on cultural severance.
Cultural Sniping: The Art Of Transgression
by Jo SpenceFirst published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Cultural Sniping
by Jo SpenceFirst published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.