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Netflix and the Re-invention of Television
by Mareike JennerThis book deals with the various ways Netflix reconceptualises television as part of the process of TV IV. As television continues to undergo a myriad of significant changes, Netflix has proven itself to be the dominant force in this development, simultaneously driving a number of these changes and challenging television’s existing institutional structures. This comprehensive study explores the pre-history of Netflix, the role of binge-watching in its organisation and marketing, and Netflix’s position as a transnational broadcaster. It also examines different concepts of control and the role these play in the history of ancillary technologies, from the remote control to binge-watching as Netflix’s iteration of giving control to the viewers. By focusing on Netflix’s relationship with the linear television schedule, its negotiations of quality and marketing, as well as the way Netflix integrates into national media systems, Netflix and the Re-invention of Television illuminates the importance of Netflix’s role within the processes of TV IV.
Netflix and the Re-invention of Television
by Mareike JennerThis book deals with the various ways Netflix reconceptualises television as part of the process of TV IV. As television continues to undergo a myriad of significant changes, Netflix has proven itself to be the dominant force in this development, simultaneously driving a number of these changes and challenging television’s existing institutional structures. This comprehensive study explores the pre-history of Netflix, the role of binge-watching in its organisation and marketing, and Netflix’s position as a transnational broadcaster. It also examines different concepts of control and the role these play in the history of ancillary technologies, from the remote control to binge-watching as Netflix’s iteration of giving control to the viewers. By focusing on Netflix’s relationship with the linear television schedule, its negotiations of quality and marketing, as well as the way Netflix integrates into national media systems, Netflix and the Re-invention of Television illuminates the importance of Netflix’s role within the processes of TV IV.
Netflix and the Re-invention of Television
by Mareike JennerThis book deals with the ways Netflix influenced the contemporary television landscape and built the infrastructures of streaming. It focusses on various ways Netflix reconceptualises television as part of the process of TV IV. As television continues to undergo a myriad of changes, Netflix has proven itself to be the dominant force in this development, simultaneously driving a number of these changes and challenging television’s existing institutional structures. This comprehensive study explores the pre-history of Netflix, the role of binge-watching in its organisation and marketing, and Netflix’s position as a transnational broadcaster. Netflix and the Re-invention of Television illuminates the importance of Netflix’s role within the processes of TV IV. This Second Edition highlights the role Netflix plays in the so-called streaming wars and incorporates recent research in television studies. It also re-evaluates the companies’ incorporation of issues of diversity in its focus on middlebrow television. The book also includes a new chapter on the transnational streaming franchise, networks of texts developed internal to platforms to build infrastructures of transnational streaming.
Netflix, Dark Fantastic Genres and Intergenerational Viewing: Family Watch Together TV (Routledge Advances in Television Studies)
by Djoymi Baker Jessica Balanzategui Diana SandarsFocusing on Netflix’s child and family-orientated platform exclusive content, this book offers the first exploration of a controversial genre cycle of dark science fiction, horror, and fantasy television under Netflix’s "Family Watch Together TV" tag. Using a ground-breaking mix of methods including audience research, interface, and textual analysis, the book demonstrates how Netflix is producing dark family telefantasy content that is both reshaping child and family-friendly TV genres and challenging earlier broadcast TV models around child-appropriate family viewing. It illuminates how Netflix encourages family audiences to "watch together" through intergenerational dynamics that work on and offscreen. The chapters in this book explore how this "Netflixication" of family television developed across landmark examples including Stranger Things, A Series of Unfortunate Events, The Dark Crystal: Age of Resistance, and even Squid Game. The book outlines how Netflix is consolidating a new dark family terrain in the streaming sector, which is unsettling older concepts of family viewing, leading to considerable audience and critical confusion around target audiences and viewer expectations. This book will be of particular interest to upper-level undergraduates, graduates, and scholars in the fields of television studies, screen genre studies, childhood studies, and cultural studies.
Netflix, Dark Fantastic Genres and Intergenerational Viewing: Family Watch Together TV (Routledge Advances in Television Studies)
by Djoymi Baker Jessica Balanzategui Diana SandarsFocusing on Netflix’s child and family-orientated platform exclusive content, this book offers the first exploration of a controversial genre cycle of dark science fiction, horror, and fantasy television under Netflix’s "Family Watch Together TV" tag. Using a ground-breaking mix of methods including audience research, interface, and textual analysis, the book demonstrates how Netflix is producing dark family telefantasy content that is both reshaping child and family-friendly TV genres and challenging earlier broadcast TV models around child-appropriate family viewing. It illuminates how Netflix encourages family audiences to "watch together" through intergenerational dynamics that work on and offscreen. The chapters in this book explore how this "Netflixication" of family television developed across landmark examples including Stranger Things, A Series of Unfortunate Events, The Dark Crystal: Age of Resistance, and even Squid Game. The book outlines how Netflix is consolidating a new dark family terrain in the streaming sector, which is unsettling older concepts of family viewing, leading to considerable audience and critical confusion around target audiences and viewer expectations. This book will be of particular interest to upper-level undergraduates, graduates, and scholars in the fields of television studies, screen genre studies, childhood studies, and cultural studies.
The Netflix Effect: Technology and Entertainment in the 21st Century
by Daniel Smith-Rowsey Kevin McDonaldNetflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention-far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO. This collection addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix, its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.
The Netflix Effect: Technology and Entertainment in the 21st Century
by Daniel Smith-Rowsey Kevin McDonaldNetflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention-far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO. This collection addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix, its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.
Netflix' Spain: Critical Perspectives
by Jorge González del Pozo Xosé Pereira BoánThis edited collection analyzes the tensions, contradictions, contributions, and new horizons generated and/or imposed by Netflix within Spain’s audiovisual culture. This book provides invaluable insight into how Netflix—first in its role as distributor and then as content creator—has changed the audiovisual landscape in Spain. It discusses how Netflix challenges the traditional method of categorizing film and television output by nationality while also examining how Spain is presented to other countries through the Netflix catalog and questioning what its chosen output—light comedies, mystery/thrillers, narco-fiction, and crime—means for Spain’s national brand. With chapters addressing themes such as reproducibility, pan-Europeanism after Brexit, gender representation, identity, and globalization, this book explores how—under the influence of Netflix—Spain is transitioning from an importer of audiovisual content to a center of export. This book will appeal to students and scholars of Film and Media Studies, Hispanic and Iberian Studies, and Spanish with a specific interest in Spanish film, television, media, and culture, as well as global media industries.
Netflix' Spain: Critical Perspectives
This edited collection analyzes the tensions, contradictions, contributions, and new horizons generated and/or imposed by Netflix within Spain’s audiovisual culture. This book provides invaluable insight into how Netflix—first in its role as distributor and then as content creator—has changed the audiovisual landscape in Spain. It discusses how Netflix challenges the traditional method of categorizing film and television output by nationality while also examining how Spain is presented to other countries through the Netflix catalog and questioning what its chosen output—light comedies, mystery/thrillers, narco-fiction, and crime—means for Spain’s national brand. With chapters addressing themes such as reproducibility, pan-Europeanism after Brexit, gender representation, identity, and globalization, this book explores how—under the influence of Netflix—Spain is transitioning from an importer of audiovisual content to a center of export. This book will appeal to students and scholars of Film and Media Studies, Hispanic and Iberian Studies, and Spanish with a specific interest in Spanish film, television, media, and culture, as well as global media industries.
The Netherlands: Globalization and National Identity (Global Realities)
by Frank J. LechnerThe Netherlands is the first concise, authored introduction available on the topic. The Netherlands has been a key entrepot in the world capitalist system for centuries, but because of relatively recent demographic changes, it has become symbolic of the clash of European and Islamic cultures. Perhaps the most secular nation in the world, it now houses a very large Islamic population. That population is the fruit of globalization, and how the Dutch have responded to this broad cultural shift tells us a great deal about the changing nature of national identity in the age of globalization. In particular, Frank Lechner explains how globalization calls forth very particularistic and localist responses. Along with providing a broad overview of the contemporary Netherlands, Lechner will focus on how globalization is generating new discourses, cultures, and state policies. Among other topics, the book will feature chapters on soccer culture, religion (and the lack thereof), the media, the welfare state, multiculturalism, and the Netherlands place in the larger European Union.
The Netherlands: Globalization and National Identity (Global Realities)
by Frank J. LechnerThe Netherlands is the first concise, authored introduction available on the topic. The Netherlands has been a key entrepot in the world capitalist system for centuries, but because of relatively recent demographic changes, it has become symbolic of the clash of European and Islamic cultures. Perhaps the most secular nation in the world, it now houses a very large Islamic population. That population is the fruit of globalization, and how the Dutch have responded to this broad cultural shift tells us a great deal about the changing nature of national identity in the age of globalization. In particular, Frank Lechner explains how globalization calls forth very particularistic and localist responses. Along with providing a broad overview of the contemporary Netherlands, Lechner will focus on how globalization is generating new discourses, cultures, and state policies. Among other topics, the book will feature chapters on soccer culture, religion (and the lack thereof), the media, the welfare state, multiculturalism, and the Netherlands place in the larger European Union.
The Netherlands and the Dutch: A Physical and Human Geography (World Regional Geography Book Series)
by Eduardo F. De Mulder Ben C. De Pater Joos C. Droogleever Fortuijn Len A. De Klerk Jerry Van DijkThis book presents a geographical survey of the Netherlands, reviewing recent and historic developments that made the nation. It is a relatively wealthy country and the Dutch belong to the happiest and healthiest on earth. But these qualities are not evenly spread over the country. The urban agglomeration of Randstad Holland in the west hosts most of the nation’s capital and young, well-educated people whereas older and less-educated people are concentrated in the peripheral areas in the north, east and south. Interactions between physical and human geographical aspects of the Netherlands are described quite extensively. Its position on one of Europe’s most prominent deltas, its abundance of energy resources and the course of history have all contributed to its present national position and international networks. But early and recent Dutch have also shaped this country. They reclaimed lakes and shallow seas, protected the lowlands against floods, re-allotted land parcels and designed and developed urban areas. Besides its focus on water-related topics, the book also covers social and cultural aspects. The book also discusses future challenges and offers scenarios for solutions. This is a book for those interested in a wide variety of recent aspects of the geography of the Netherlands described in a historical context. It appeals to students and researchers of many disciplines in geography, urban and landscape planning, water management, history and cultural studies.
Netherlands Annual Review of Military Studies 2017: Winning Without Killing:The Strategic and Operational Utility of Non-Kinetic Capabilities in Crises (NL ARMS)
by Paul A.L. Ducheine Frans P.B. OsingaInternational conflict resolution increasingly involves the use of non-military power and non-kinetic capabilities alongside military capabilities in the face of hybrid threats. In this book, counter-measures to those threats are addressed by academics with both practical and theoretical experience and knowledge, providing strategic and operational insights into non-kinetic conflict resolution and on the use of power to influence, affect, deter or coerce states and non-state actors. This volume in the NL ARMS series deals with the non-kinetic capabilities to address international crises and conflicts and as always views matters from a global perspective. Included are chapters on the promise, practice and challenges of non-kinetic instruments of power, the instrumentality of soft power, information as a power instrument and manoeuvring in the information environment, Russia's use of deception and misinformation in conflict, applying counter-marketing techniques to fight ISIL, using statistics to profile terrorists, and employing tools such as Actor and Audience Analysis. Such diverse subjects as lawfare, the Law of Armed Conflict rules for non-kinetic cyber attacks, navigation warfare, GPS-spoofing, maritime interception operations, and finally, as a prerequisite, innovative ways for intelligence collection in UN Peacekeeping in Mali come up for discussion. The book will provide both professionals such as (foreign) policy makers and those active in the military services, academics at a master level and those with an interest in military law and the law of armed conflict with useful and up-to-date insights into the wide range of subjects that are contained within it. Paul A.L. Ducheine and Frans P.B. Osinga are General Officers and full professors at the Faculty of Military Sciences of the Netherlands Defence Academy in Breda, The Netherlands.
Netherlands Yearbook For History Of Art / Nederlands Kunsthistorisch Jaarboek 62 (2012): Meaning In Materials: Netherlandish Art, 1400-1800
by Ann-Sophie Lehmann Frits Scholten H. Perry ChapmanWorks of art are material and materials have meaning. They determine form, style, and effect and are often chosen intentionally by artists to convey artistic ideas and reinforce expressive effects. An artist's choice of materials both limits and opens up technical possibilities. Depending on their geographical occurrence, rarity or composite nature, materials are valued, compared and imitated; processes that stimulate innovation in the arts. Materials are also charged with manifold cultural connotations, conveying power, beauty, splendor or humbleness. Despite the richness of the topic, the relation between meaning and materials has been neglected in the past. This volume of the Nederlands Kunsthistorisch Jaarboek strives to redress this lacuna, highlighting important links between visual and material culture. The essays written by a number of international, renowned scholars approach a variety of materials in their particular historical, cultural and technological settings, uncovering new and surprising meanings in alabaster, oil paint, glass, wood, stone, copper, ebony, paper, and snow.
Netizenship, Activism and Online Community Transformation in Indonesia
by Ario SetoFocusing on the concept of prudence as ethical groundwork for digital practices and activism, this book considers digital media expediency and populism as conflicting required experiences that lead digital citizens to discover activism. It highlights the importance of digital citizens’ experience of ‘being-in-the-digital sphere’ and encourages the reader to look at the dynamics of online movement as a part of a community’s search for significance between the online and offline realms of activism. Based on ethnographic research about the largest Indonesian online community, Kaskus, this book uses Indonesian digital citizenship as an example of online activism in a post-authoritarian state, with media viewed as a tool for democratic advancement and a catalyst for social movements among activists, students, and citizens both in Indonesia and further afield. Set at the intersection of media anthropology, sociology, Asian studies, and Citizenship studies, this book considers the shape and future of digital democracy in post-authoritarian state.
Netnography: Redefined
by Dr Robert KozinetsSocial media and Internet data offer rich opportunities and vexing challenges for sociocultural research. Explaining and extending prior approaches, Netnography: Redefined is an indispensable guide to the understanding and conduct of Internet ethnography. With this volume, netnography is upgraded, updated and renewed with the latest netnographic research from media anthropology, geography, education, library sciences, travel and tourism, linguistics, media and cultural studies, sociology, sexuality, addiction research, gaming studies, and nursing, and multiple examples from the worlds of Facebook, Twitter, LinkedIn, and other social media sites. Like its predecessor, Netnography: Redefined includes full, step-by-step procedural guidelines for the accurate and ethical conduct of netnography. Yet this edition adapts netnography to include big data and social media analytics, as well as further incorporating notions of network analysis. It deepens the practice of netnography through participative engagement, introspection, alternative representation, and a new humanist focus. Netnography: Redefined presents readers with up-to-date guidelines for the most fully realized and distinctive form of online ethnographic research yet developed.
Netnography: Redefined (PDF)
by Dr Robert KozinetsSocial media and Internet data offer rich opportunities and vexing challenges for sociocultural research. Explaining and extending prior approaches, Netnography: Redefined is an indispensable guide to the understanding and conduct of Internet ethnography. With this volume, netnography is upgraded, updated and renewed with the latest netnographic research from media anthropology, geography, education, library sciences, travel and tourism, linguistics, media and cultural studies, sociology, sexuality, addiction research, gaming studies, and nursing, and multiple examples from the worlds of Facebook, Twitter, LinkedIn, and other social media sites. Like its predecessor, Netnography: Redefined includes full, step-by-step procedural guidelines for the accurate and ethical conduct of netnography. Yet this edition adapts netnography to include big data and social media analytics, as well as further incorporating notions of network analysis. It deepens the practice of netnography through participative engagement, introspection, alternative representation, and a new humanist focus. Netnography: Redefined presents readers with up-to-date guidelines for the most fully realized and distinctive form of online ethnographic research yet developed.
Netnography: The Essential Guide to Qualitative Social Media Research
by Dr. Robert KozinetsNetnography is an adaptation of ethnography for the online world, pioneered by Robert Kozinets, and is concerned with the study of online cultures and communities as distinct social phenomena, rather than isolated content. In this landmark third edition, Netnography: The Essential Guide provides the theoretical and methodological groundwork as well as the practical applications, helping students both understand and do netnographic research projects of their own. Packed with enhanced learning features throughout, linking concepts to structured activities in a step by step way, the book is also now accompanied by a striking new visual design and further case studies, offering the essential student resource to conducting online ethnographic research. Real world examples provided demonstrate netnography in practice across the social sciences, in media and cultural studies, anthropology, education, nursing, travel and tourism, and others.
Netnography: The Essential Guide to Qualitative Social Media Research
by Dr. Robert KozinetsNetnography is an adaptation of ethnography for the online world, pioneered by Robert Kozinets, and is concerned with the study of online cultures and communities as distinct social phenomena, rather than isolated content. In this landmark third edition, Netnography: The Essential Guide provides the theoretical and methodological groundwork as well as the practical applications, helping students both understand and do netnographic research projects of their own. Packed with enhanced learning features throughout, linking concepts to structured activities in a step by step way, the book is also now accompanied by a striking new visual design and further case studies, offering the essential student resource to conducting online ethnographic research. Real world examples provided demonstrate netnography in practice across the social sciences, in media and cultural studies, anthropology, education, nursing, travel and tourism, and others.
Netnography: Doing Ethnographic Research Online (PDF)
by Robert V. KozinetsWith as many as 1 billion people now using online communities such as newsgroups, blogs, forums, social networking sites, podcasting, videocasting, photosharing communities, and virtual worlds, the internet is now an important site for research. This exciting new text is the first to explore the discipline of 'Netnography' - the conduct of ethnography over the internet - a method specifically designed to study cultures and communities online. For the first time, full procedural guidelines for the accurate and ethical conduct of ethnographic research online are set out, with detailed, step-by-step guidance to thoroughly introduce, explain, and illustrate the method to students and researchers. The author also surveys the latest research on online cultures and communities, focusing on the methods used to study them,nbsp;with examples focusing on the new elements and contingencies of the blogosphere (blogging), microblogging, videocasting, podcasting, social networking sites, virtual worlds and more. This book will be essential reading for researchers and students in social sciences such as anthropology, sociology, marketing and consumer research, organization and management studies and cultural and media studies.
Netsukes (Routledge Revivals)
by Albert BrockhousFirst published in 1924, no book had ever before emerged dealing with Netsukes, one of the most fascinating and interesting forms of expression of the Japanese in art. Netsukes are the exquisitely carved and infinitely varied little knobs used by the Japanese to keep from slipping all kinds of articles which are hung from girdles. For collectors who cannot afford originals in most of the arts, Netsukes offer an alluring field. Here is a branch in which originals are accessible. The Netsuke is a work of art that can only exist once in this world. It is found in Japan only and like the leaves of the trees, there are never two pieces of it alike. This book describes, in a fascinating way, whether you are a collector or the subject is new to you, the use and various kinds of Netsukes, the method of their carving, their subjects, the many extant collections, their history and their mythology.
Netsukes (Routledge Revivals)
by Albert BrockhousFirst published in 1924, no book had ever before emerged dealing with Netsukes, one of the most fascinating and interesting forms of expression of the Japanese in art. Netsukes are the exquisitely carved and infinitely varied little knobs used by the Japanese to keep from slipping all kinds of articles which are hung from girdles. For collectors who cannot afford originals in most of the arts, Netsukes offer an alluring field. Here is a branch in which originals are accessible. The Netsuke is a work of art that can only exist once in this world. It is found in Japan only and like the leaves of the trees, there are never two pieces of it alike. This book describes, in a fascinating way, whether you are a collector or the subject is new to you, the use and various kinds of Netsukes, the method of their carving, their subjects, the many extant collections, their history and their mythology.
Network: based on the Paddy Chayefsky film (Faber Drama Ser.)
by Lee HallI'm as mad as hell, and I'm not going to take this anymore.Howard Beale, news anchorman, isn't pulling in the viewers. In his final broadcast he unravels live on screen. But when the ratings soar, the network seize on their newfound populist prophet, and Howard becomes the biggest thing on TV.Adapted for the stage by Lee Hall from the Paddy Chayefsky film, Network premiered at the National Theatre, London, in November 2017.
Network Aesthetics
by Patrick JagodaThe term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their world—and their view of themselves. Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought. Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed.
Network Aesthetics
by Patrick JagodaThe term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their world—and their view of themselves. Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought. Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed.