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The Architecture of Illegal Markets: Towards an Economic Sociology of Illegality in the Economy

by Jens Beckert Matías Dewey

From illegal drugs, stolen artwork, and forged trademarks, to fraud in financial markets - the phenomenon of illegality in market exchanges is pervasive. Illegal markets have great economic significance, have relevant social and political consequences, and shape economic and political structures. Despite the importance of illegality in the economy, the field of economic sociology unquestioningly accepts the premise that the institutional structures and exchanges taking place in markets are law-abiding in nature. This volume makes a contribution to changing this. Questions that stand at the centre of the chapters are: What are the interfaces between legal and illegal markets? How do demand and supply in illegal markets interact? What role do criminal organizations play in illegal markets? What is the relationship between illegality and governments? Is illegality a phenomenon central to capitalism? Anchored in economic sociology, this book contributes to the analysis and understanding of market exchanges in conditions of illegality from a perspective that focuses on the social organization of markets. Offering both, theoretical reflections and case studies, the chapters assembled in the volume address the consequences of the illegal production, distribution, and consumption of products for the architecture of markets. It also focuses on the underlying causes and the political and social concerns stemming from the infringement of the law.

The Architecture of Illegal Markets: Towards an Economic Sociology of Illegality in the Economy


From illegal drugs, stolen artwork, and forged trademarks, to fraud in financial markets - the phenomenon of illegality in market exchanges is pervasive. Illegal markets have great economic significance, have relevant social and political consequences, and shape economic and political structures. Despite the importance of illegality in the economy, the field of economic sociology unquestioningly accepts the premise that the institutional structures and exchanges taking place in markets are law-abiding in nature. This volume makes a contribution to changing this. Questions that stand at the centre of the chapters are: What are the interfaces between legal and illegal markets? How do demand and supply in illegal markets interact? What role do criminal organizations play in illegal markets? What is the relationship between illegality and governments? Is illegality a phenomenon central to capitalism? Anchored in economic sociology, this book contributes to the analysis and understanding of market exchanges in conditions of illegality from a perspective that focuses on the social organization of markets. Offering both, theoretical reflections and case studies, the chapters assembled in the volume address the consequences of the illegal production, distribution, and consumption of products for the architecture of markets. It also focuses on the underlying causes and the political and social concerns stemming from the infringement of the law.

The Architecture of Industry: Changing Paradigms in Industrial Building and Planning (Ashgate Studies in Architecture)

by Mathew Aitchison

From the Rust Belt to Silicon Valley, the intersection between architecture and industry has provided a rich and evolving source for historians of architecture. In a historical context, industrial architecture evokes the smoking factories of the nineteenth century or Fordist production complexes of the twentieth century. This book documents the changing nature of industrial building and planning from the end of the nineteenth century to the beginning of the twenty-first century. Drawing on research from the United States, Europe and Australia, this collection of essays highlights key moments in industrial architecture and planning representative of the wider paradigms in the field. Areas of analysis include industrial production, factories, hydroelectricity, aerospace, logistics, finance, scientific research and mining. The selected case studies serve to highlight architectural and planning innovations in industry and their contributions to wider cultural and societal currents. This richly illustrated collection will be of interest for a wide range of built environment studies, incorporating findings from both historical and theoretical scholarship and design research.

The Architecture of Industry: Changing Paradigms in Industrial Building and Planning (Ashgate Studies in Architecture)

by Mathew Aitchison

From the Rust Belt to Silicon Valley, the intersection between architecture and industry has provided a rich and evolving source for historians of architecture. In a historical context, industrial architecture evokes the smoking factories of the nineteenth century or Fordist production complexes of the twentieth century. This book documents the changing nature of industrial building and planning from the end of the nineteenth century to the beginning of the twenty-first century. Drawing on research from the United States, Europe and Australia, this collection of essays highlights key moments in industrial architecture and planning representative of the wider paradigms in the field. Areas of analysis include industrial production, factories, hydroelectricity, aerospace, logistics, finance, scientific research and mining. The selected case studies serve to highlight architectural and planning innovations in industry and their contributions to wider cultural and societal currents. This richly illustrated collection will be of interest for a wide range of built environment studies, incorporating findings from both historical and theoretical scholarship and design research.

An Architecture of Ineloquence: A Study in Modern Architecture and Religion (Ashgate Studies in Architecture)

by J.K. Birksted

Set on a hillside near Cluny, in a region associated with religious institutions and sacred architecture (including Le Corbusier's La Tourette), Le Carmel de la Paix, designed by José Luis Sert, remains tranquilly unvisited and quietly erased from architectural history. Why? This unusual convent falls outside the standard categories of Sert's architecture and has been overlooked in most publications about his work. As J.K. Birksted explains, the design and construction process for this building proved nightmarish, resulting in a building which, at first sight, appears to be 'ineloquent'. This first detailed examination of this building shows how the convent and the story of its creation offer valuable and important new insights into Sert, his architecture and his life. However, the study also opens up discussions on wider subjects such as the relationships between modernist architecture and ecclesiastical architecture. The design and construction of the Carmel de la Paix (1968-1972) followed the Second Ecumenical Council of the Vatican (1962-1965), which introduced fundamental changes and proposals for renewing the relationship between the Church and the changing modern world and the convent provides an interesting illustration of this period. In addition, it offers insights into the fascinating world of the Carmelite order and its specific liturgical requirements, and, reflecting on the nuns' active involvement in the design and construction process, it also explores wider issues of women in architecture.

An Architecture of Ineloquence: A Study in Modern Architecture and Religion (Ashgate Studies in Architecture)

by J.K. Birksted

Set on a hillside near Cluny, in a region associated with religious institutions and sacred architecture (including Le Corbusier's La Tourette), Le Carmel de la Paix, designed by José Luis Sert, remains tranquilly unvisited and quietly erased from architectural history. Why? This unusual convent falls outside the standard categories of Sert's architecture and has been overlooked in most publications about his work. As J.K. Birksted explains, the design and construction process for this building proved nightmarish, resulting in a building which, at first sight, appears to be 'ineloquent'. This first detailed examination of this building shows how the convent and the story of its creation offer valuable and important new insights into Sert, his architecture and his life. However, the study also opens up discussions on wider subjects such as the relationships between modernist architecture and ecclesiastical architecture. The design and construction of the Carmel de la Paix (1968-1972) followed the Second Ecumenical Council of the Vatican (1962-1965), which introduced fundamental changes and proposals for renewing the relationship between the Church and the changing modern world and the convent provides an interesting illustration of this period. In addition, it offers insights into the fascinating world of the Carmelite order and its specific liturgical requirements, and, reflecting on the nuns' active involvement in the design and construction process, it also explores wider issues of women in architecture.

The Architecture of Information: Architecture, Interaction Design and the Patterning of Digital Information

by Martyn Dade-Robertson

This book looks at relationships between the organization of physical objects in space and the organization of ideas. Historical, philosophical, psychological and architectural knowledge are united to develop an understanding of the relationship between information and its representation. Despite its potential to break the mould, digital information has relied on metaphors from a pre-digital era. In particular, architectural ideas have pervaded discussions of digital information, from the urbanization of cyberspace in science fiction, through to the adoption of spatial visualizations in the design of graphical user interfaces. This book tackles: the historical importance of physical places to the organization and expression of knowledge the limitations of using the physical organization of objects as the basis for systems of categorization and taxonomy the emergence of digital technologies and the twentieth century new conceptual understandings of knowledge and its organization the concept of disconnecting storage of information objects from their presentation and retrieval ideas surrounding ‘semantic space’ the realities of the types of user interface which now dominate modern computing.

The Architecture of Information: Architecture, Interaction Design and the Patterning of Digital Information

by Martyn Dade-Robertson

This book looks at relationships between the organization of physical objects in space and the organization of ideas. Historical, philosophical, psychological and architectural knowledge are united to develop an understanding of the relationship between information and its representation. Despite its potential to break the mould, digital information has relied on metaphors from a pre-digital era. In particular, architectural ideas have pervaded discussions of digital information, from the urbanization of cyberspace in science fiction, through to the adoption of spatial visualizations in the design of graphical user interfaces. This book tackles: the historical importance of physical places to the organization and expression of knowledge the limitations of using the physical organization of objects as the basis for systems of categorization and taxonomy the emergence of digital technologies and the twentieth century new conceptual understandings of knowledge and its organization the concept of disconnecting storage of information objects from their presentation and retrieval ideas surrounding ‘semantic space’ the realities of the types of user interface which now dominate modern computing.

The Architecture of Innovative Apprenticeship (Technical and Vocational Education and Training: Issues, Concerns and Prospects #18)

by Ludger Deitmer, Ursel Hauschildt, Felix Rauner and Helmut Zelloth

Benefiting from the support and involvement of two major international research networks, this collection features the latest research findings in TVET. Members of INAP, the International Network on Innovative Apprenticeship, and VETNET, the Vocational Education and Training Network, have contributed key research findings to this detailed survey of the field. Featuring the inclusion of the internationally recognized memorandum released in April 2012 by the INAP Architecture Apprenticeship Commission, the volume covers a wealth of issues relating to technical and vocational education and training, including exemplar architectures such as successful school-to-work transitions, competence assessment and development models, and governance, including the role of stakeholders. The book provides many opportunities to explore in depth the scholarly debate on TVET, as well as to learn from positive international experiences. It aims to inform the practice of TVET professionals as much as the decision making of administrators.

Architecture of Integrated Information Systems: Foundations of Enterprise Modelling

by August-Wilhelm Scheer

The ARIS architecture developed here is described in concrete terms as an information model within the entity-relationship approach. This information model, in turn, serves as the basis for the systematic and rational application of methods in the development of information systems. Furthermore, it provides the basis for storing the enterprise's application-specific data, organization and function models. The ARIS architecture constitutes a framework within which integrated applications can be developed, optimized and converted into EDP-technical implementations. At the same time, it demonstrates how economics can examine and analyze information systems so as to translate their contents into EDP-form.

An Architecture of Invitation: Colin St John Wilson (Routledge Revivals)

by Sarah Menin Stephen Kite

First published in 2005, An Architecture of invitation: Colin St John Wilson is a distinctive study of the life and architectural career of one of the most significant makers, theorists and teachers of architecture to have emerged in England in the second half of the twentieth century. Exceptionally in an architectural study, this book interweaves biography, critical analysis of the projects, and theory, in its aims of explicating the richness of Wilson’s body of work, thought and teaching. Drawing on the specialisms of its authors, it also examines the creative and psychological impulses that have informed the making of the work – an oeuvre whose experiential depth is recognised by both users and critics.

An Architecture of Invitation: Colin St John Wilson (Routledge Revivals)

by Sarah Menin Stephen Kite

First published in 2005, An Architecture of invitation: Colin St John Wilson is a distinctive study of the life and architectural career of one of the most significant makers, theorists and teachers of architecture to have emerged in England in the second half of the twentieth century. Exceptionally in an architectural study, this book interweaves biography, critical analysis of the projects, and theory, in its aims of explicating the richness of Wilson’s body of work, thought and teaching. Drawing on the specialisms of its authors, it also examines the creative and psychological impulses that have informed the making of the work – an oeuvre whose experiential depth is recognised by both users and critics.

Architecture of Italy (Reference Guides to National Architecture)

by Jean Castex

Covering all regions of Italy—from Turin's Palace of Labor in northern Italy to the Monreale Cathedral and Cloister in Sicily—and all periods of Italian architecture—from the first-century Colosseum in Rome to the Casa Rustica apartments built in Milan in the 1930s—this volume examines over 70 of Italy's most important architectural landmarks. Writing in an authoritative yet engaging style, Jean Castex, professor of architectural history at the Versailles School of Architecture, describes the features, functions, and historical importance of each structure. Besides idetifying location, style, architects, and periods of initial construction and major renovations, the cross-referenced and illustrated entries also highlight architectural and historical terms explained in the Glossay and conclude with a useful listing of further information resources. The volume also offers ready-reference lists of entries by location, architectural style, and time period, as well as a general bibliography, a detailed subject index, and a comprehensive introductory overview of Italian architecture.Entries cover major architectural structures as well as smaller sites, including everything from the well-known dome of St. Peter's at the Vatican to the Fiat Lingotto Plant in Turin. Ideal for college and high school students, as well as for interested general readers, this comprehensive look at the architecture of Italy is an indispensable addition to every architectural reference collection.

The Architecture of James Stirling and His Partners James Gowan and Michael Wilford: A Study of Architectural Creativity in the Twentieth Century

by Geoffrey H. Baker

Sir James Stirling was arguably the greatest British architect of the twentieth century. This book provides the most comprehensive critical survey of Stirling's work to date, charting the development of his ideas from his formative years, through his partnership with James Gowan, on to his period in practice as sole partner; and finally, his partnership with Michael Wilford. Using archival material, extensive interviews with his partners and others who worked for him, together with analytical examination of key buildings, this detailed critical examination explains his philosophy, working method and design strategy. In doing so, it sheds new light on the atelier structure of his office and who did what on his major buildings. Geoffrey Baker is the first to analyse in depth the articulation systems used in major projects undertaken by Stirling. He confirms that the Staatsgalerie complex at Stuttgart does not demonstrate Stirling's interest in post modernism but rather an enhanced sensitivity towards context informed by his growing allegiance to the classical canon. Baker explains how this important development in his work, powerfully influenced by Karl Friedrich Schinkel, is consummated in perhaps the finest of Stirling's uncompleted works, the extension to London's National Gallery. In a discussion of his mature works, Baker explains how Stirling's work can be understood in terms of several interconnected ideas. These include surrealism, historicism, myth and metaphor, inconsistency and ambiguity, bi-lateral symmetry, the garden, rusticity and arcadia, and the archetype, seen as the repository of the collective architectural memory. As well as discussing his interests and those who influenced Stirling, the book compares his oeuvre with that of the pioneers of modern architecture, Mies van der Rohe, Frank Lloyd Wright, Alvar Aalto and Le Corbusier. This book charts a remarkable career, and offers invaluable insights not only into the masterly, timeless architecture, but also into the man himself: charismatic, irreverent, courageous, serious; sometimes rude, often stubborn, belligerent, yet gentle. He was endlessly inventive and deeply dedicated to his art, producing buildings that reflect all of the above, buildings that are magnificent and ultimately humane.

The Architecture of James Stirling and His Partners James Gowan and Michael Wilford: A Study of Architectural Creativity in the Twentieth Century

by Geoffrey H. Baker

Sir James Stirling was arguably the greatest British architect of the twentieth century. This book provides the most comprehensive critical survey of Stirling's work to date, charting the development of his ideas from his formative years, through his partnership with James Gowan, on to his period in practice as sole partner; and finally, his partnership with Michael Wilford. Using archival material, extensive interviews with his partners and others who worked for him, together with analytical examination of key buildings, this detailed critical examination explains his philosophy, working method and design strategy. In doing so, it sheds new light on the atelier structure of his office and who did what on his major buildings. Geoffrey Baker is the first to analyse in depth the articulation systems used in major projects undertaken by Stirling. He confirms that the Staatsgalerie complex at Stuttgart does not demonstrate Stirling's interest in post modernism but rather an enhanced sensitivity towards context informed by his growing allegiance to the classical canon. Baker explains how this important development in his work, powerfully influenced by Karl Friedrich Schinkel, is consummated in perhaps the finest of Stirling's uncompleted works, the extension to London's National Gallery. In a discussion of his mature works, Baker explains how Stirling's work can be understood in terms of several interconnected ideas. These include surrealism, historicism, myth and metaphor, inconsistency and ambiguity, bi-lateral symmetry, the garden, rusticity and arcadia, and the archetype, seen as the repository of the collective architectural memory. As well as discussing his interests and those who influenced Stirling, the book compares his oeuvre with that of the pioneers of modern architecture, Mies van der Rohe, Frank Lloyd Wright, Alvar Aalto and Le Corbusier. This book charts a remarkable career, and offers invaluable insights not only into the masterly, timeless architecture, but also into the man himself: charismatic, irreverent, courageous, serious; sometimes rude, often stubborn, belligerent, yet gentle. He was endlessly inventive and deeply dedicated to his art, producing buildings that reflect all of the above, buildings that are magnificent and ultimately humane.

The Architecture of Late Assyrian Royal Palaces

by David Kertai

The Late Assyrian Empire (c. 900 - 612 BCE) was the first state to rule over the major centres of the Middle East, and the Late Assyrian court inhabited some of the most monumental palaces of its time. The Architecture of Late Assyrian Royal Palaces is the first volume to provide an in-depth analysis of Late Assyrian palatial architecture, offering a general introduction to all key royal palaces in the major centres of the empire: Assur, Kalḫu, Dur-Sharruken, and Nineveh. Where previous research has often focused on the duality between public and private realms, this volume redefines the cultural principles governing these palaces and proposes a new historical framework, analysing the spatial organization of the palace community which placed the king front and centre. It brings together the architecture of such palaces as currently understood within the broader framework of textual and art-historical sources, and argues that architectural changes were guided by a need to accommodate ever larger groups as the empire grew in size.

The Architecture of Light: Recent Approaches to Designing with Natural Light

by Mary Ann Steane

Reviewing the use of natural light by architects in the era of electricity, this book aims to show that natural light not only remains a potential source of order in architecture, but that natural lighting strategies impose a usefully creative discipline on design. Considering an approach to environmental context that sees light as a critical aspect of place, this book explores current attitudes to natural light by offering a series of in-depth studies of recent projects and the particular lighting issues they have addressed. It gives a more nuanced appraisal of these lighting strategies by setting them within their broader topographic, climatic and cultural contexts.

The Architecture of Light: Recent Approaches to Designing with Natural Light

by Mary Ann Steane

Reviewing the use of natural light by architects in the era of electricity, this book aims to show that natural light not only remains a potential source of order in architecture, but that natural lighting strategies impose a usefully creative discipline on design. Considering an approach to environmental context that sees light as a critical aspect of place, this book explores current attitudes to natural light by offering a series of in-depth studies of recent projects and the particular lighting issues they have addressed. It gives a more nuanced appraisal of these lighting strategies by setting them within their broader topographic, climatic and cultural contexts.

The Architecture of Luxury (Ashgate Studies in Architecture)

by Annette Condello

Over the past century, luxury has been increasingly celebrated in the sense that it is no longer a privilege (or attitude) of the European elite or America’s leisure class. It has become more ubiquitous and now, practically everyone can experience luxury, even luxury in architecture. Focusing on various contexts within Western Europe, Latin America and the United States, this book traces the myths and application of luxury within architecture, interiors and designed landscapes. Spanning from antiquity to the modern era, it sets out six historical categories of luxury - Sybaritic, Lucullan, architectural excess, rustic, neoEuropean and modern - and relates these to the built and unbuilt environment, taking different cultural contexts and historical periods into consideration. It studies some of the ethical questions raised by the nature of luxury in architecture and discusses whether architectural luxury is an unqualified benefit or something which should only be present within strict limits. The author argues how the ideas of permissible and impermissible luxury have informed architecture and how these notions of ethical approval have changed from one context to another. Providing voluptuous settings for the nobles and the leisure class, luxury took the form of not only grand palaces, but also follies, country and suburban houses, private or public entertainment venues and ornate skyscrapers with fast lifts. The Architecture of Luxury proposes that in Western societies the growth of the leisure classes and their desire for various settings for pleasure resulted in a constantly increasing level of ’luxury’ sought within everyday architecture.

The Architecture of Luxury (Ashgate Studies in Architecture)

by Annette Condello

Over the past century, luxury has been increasingly celebrated in the sense that it is no longer a privilege (or attitude) of the European elite or America’s leisure class. It has become more ubiquitous and now, practically everyone can experience luxury, even luxury in architecture. Focusing on various contexts within Western Europe, Latin America and the United States, this book traces the myths and application of luxury within architecture, interiors and designed landscapes. Spanning from antiquity to the modern era, it sets out six historical categories of luxury - Sybaritic, Lucullan, architectural excess, rustic, neoEuropean and modern - and relates these to the built and unbuilt environment, taking different cultural contexts and historical periods into consideration. It studies some of the ethical questions raised by the nature of luxury in architecture and discusses whether architectural luxury is an unqualified benefit or something which should only be present within strict limits. The author argues how the ideas of permissible and impermissible luxury have informed architecture and how these notions of ethical approval have changed from one context to another. Providing voluptuous settings for the nobles and the leisure class, luxury took the form of not only grand palaces, but also follies, country and suburban houses, private or public entertainment venues and ornate skyscrapers with fast lifts. The Architecture of Luxury proposes that in Western societies the growth of the leisure classes and their desire for various settings for pleasure resulted in a constantly increasing level of ’luxury’ sought within everyday architecture.

The Architecture of Markets: An Economic Sociology of Twenty-First-Century Capitalist Societies

by Neil Fligstein

Market societies have created more wealth, and more opportunities for more people, than any other system of social organization in history. Yet we still have a rudimentary understanding of how markets themselves are social constructions that require extensive institutional support. This groundbreaking work seeks to fill this gap, to make sense of modern capitalism by developing a sociological theory of market institutions. Addressing the unruly dynamism that capitalism brings with it, leading sociologist Neil Fligstein argues that the basic drift of any one market and its actors, even allowing for competition, is toward stabilization. The Architecture of Markets represents a major and timely step beyond recent, largely empirical studies that oppose the neoclassical model of perfect competition but provide sparse theory toward a coherent economic sociology. Fligstein offers this theory. With it he interprets not just globalization and the information economy, but developments more specific to American capitalism in the past two decades--among them, the 1980s merger movement. He makes new inroads into the ''theory of fields,'' which links the formation of markets and firms to the problems of stability. His political-cultural approach explains why governments remain crucial to markets and why so many national variations of capitalism endure. States help make stable markets possible by, for example, establishing the rule of law and adjudicating the class struggle. State-building and market-building go hand in hand. Fligstein shows that market actors depend mightily upon governments and the members of society for the social conditions that produce wealth. He demonstrates that systems favoring more social justice and redistribution can yield stable markets and economic growth as readily as less egalitarian systems. This book will surely join the classics on capitalism. Economists, sociologists, policymakers, and all those interested in what makes markets function as they do will read it for many years to come.

The Architecture of Markets: An Economic Sociology of Twenty-First-Century Capitalist Societies (pdf)

by Neil Fligstein

Market societies have created more wealth, and more opportunities for more people, than any other system of social organization in history. Yet we still have a rudimentary understanding of how markets themselves are social constructions that require extensive institutional support. This groundbreaking work seeks to fill this gap, to make sense of modern capitalism by developing a sociological theory of market institutions. Addressing the unruly dynamism that capitalism brings with it, leading sociologist Neil Fligstein argues that the basic drift of any one market and its actors, even allowing for competition, is toward stabilization. The Architecture of Markets represents a major and timely step beyond recent, largely empirical studies that oppose the neoclassical model of perfect competition but provide sparse theory toward a coherent economic sociology. Fligstein offers this theory. With it he interprets not just globalization and the information economy, but developments more specific to American capitalism in the past two decades--among them, the 1980s merger movement. He makes new inroads into the ''theory of fields,'' which links the formation of markets and firms to the problems of stability. His political-cultural approach explains why governments remain crucial to markets and why so many national variations of capitalism endure. States help make stable markets possible by, for example, establishing the rule of law and adjudicating the class struggle. State-building and market-building go hand in hand. Fligstein shows that market actors depend mightily upon governments and the members of society for the social conditions that produce wealth. He demonstrates that systems favoring more social justice and redistribution can yield stable markets and economic growth as readily as less egalitarian systems. This book will surely join the classics on capitalism. Economists, sociologists, policymakers, and all those interested in what makes markets function as they do will read it for many years to come.

Architecture of Mathematics

by Simon Serovajsky

Architecture of Mathematics describes the logical structure of Mathematics from its foundations to its real-world applications. It describes the many interweaving relationships between different areas of mathematics and its practical applications, and as such provides unique reading for professional mathematicians and nonmathematicians alike. This book can be a very important resource both for the teaching of mathematics and as a means to outline the research links between different subjects within and beyond the subject. Features All notions and properties are introduced logically and sequentially, to help the reader gradually build understanding. Focusses on illustrative examples that explain the meaning of mathematical objects and their properties. Suitable as a supplementary resource for teaching undergraduate mathematics, and as an aid to interdisciplinary research. Forming the reader's understanding of Mathematics as a unified science, the book helps to increase his general mathematical culture.

Architecture of Mathematics

by Simon Serovajsky

Architecture of Mathematics describes the logical structure of Mathematics from its foundations to its real-world applications. It describes the many interweaving relationships between different areas of mathematics and its practical applications, and as such provides unique reading for professional mathematicians and nonmathematicians alike. This book can be a very important resource both for the teaching of mathematics and as a means to outline the research links between different subjects within and beyond the subject. Features All notions and properties are introduced logically and sequentially, to help the reader gradually build understanding. Focusses on illustrative examples that explain the meaning of mathematical objects and their properties. Suitable as a supplementary resource for teaching undergraduate mathematics, and as an aid to interdisciplinary research. Forming the reader's understanding of Mathematics as a unified science, the book helps to increase his general mathematical culture.

The Architecture of Matter

by June Goodfield Stephen Toulmin

"Warmly recommended. It is that rare achievement, a lively book which at the same time takes the fullest possible advantage of scholarly knowledge."—Charles C. Gillespie, New York Times Book Review

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