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Architektur und Betrieb von Rechensystemen: 8. GI-NTG-Fachtagung Karlsruhe, 26.–28. März 1984 (Informatik-Fachberichte #78)

Architektur und Betrieb von Rechensystemen: 8. GI-NTG-Fachtagung Karlsruhe, 26.–28. März 1984 (Informatik-Fachberichte #78)

Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean (Contemporary French and Francophone Cultures #47)

Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.

Archival and Secondary Data (The SAGE Quantitative Research Kit)

Data archives provide rich and expansive sources of information for researchers. This book highlights the utility of secondary data analyses whilst showing you how to select the right datasets for your study, and in turn get the most out of your research. Topics include: · Generating your research question · Selecting appropriate datasets and variables · Examining univariate, bivariate and multivariate associations · Visualisng your data with tables and graphs Part of The SAGE Quantitative Research Kit, this book boosts students with know-how and confidence, to help them succeed on their quantitative research journey.

Archival and Secondary Data (The SAGE Quantitative Research Kit)

Data archives provide rich and expansive sources of information for researchers. This book highlights the utility of secondary data analyses whilst showing you how to select the right datasets for your study, and in turn get the most out of your research. Topics include: · Generating your research question · Selecting appropriate datasets and variables · Examining univariate, bivariate and multivariate associations · Visualisng your data with tables and graphs Part of The SAGE Quantitative Research Kit, this book boosts students with know-how and confidence, to help them succeed on their quantitative research journey.

Archival and Secondary Data (The SAGE Quantitative Research Kit)

Data archives provide rich and expansive sources of information for researchers. This book highlights the utility of secondary data analyses whilst showing you how to select the right datasets for your study, and in turn get the most out of your research. Topics include: · Generating your research question · Selecting appropriate datasets and variables · Examining univariate, bivariate and multivariate associations · Visualisng your data with tables and graphs Part of The SAGE Quantitative Research Kit, this book boosts students with know-how and confidence, to help them succeed on their quantitative research journey.

Archival Historiography in Jewish Antiquity

The question of how the Bible received its unusual form has been a question addressed by scholars since critical study of the text began. Early attention focused on the Pentateuch and the Primary History. Archival Historiography in Jewish Antiquity argues that Ezra and Nehemiah, late texts sometimes overlooked in such discussions, reveal another piece of this longstanding puzzle. Laura Carlson Hasler suggests that the concept of archival historiography makes sense of Ezra and Nehemiah's unusual format and place in the Bible. Adapting the symbolic quality of ancient Near Eastern archives to their own purposes, the writers of these books found archiving an expression of religious and social power in a colonized context. Using the book of Esther as a comparative example, Carlson Hasler addresses literary disruption, a form unpalatable to modern readers, as an expected element of archival historiography. This book argues that archiving within the experience of trauma is more than sophisticated history writing, and in fact served to facilitate Judean recovery after the losses of exile.

Archival Historiography in Jewish Antiquity

The question of how the Bible received its unusual form has been a question addressed by scholars since critical study of the text began. Early attention focused on the Pentateuch and the Primary History. Archival Historiography in Jewish Antiquity argues that Ezra and Nehemiah, late texts sometimes overlooked in such discussions, reveal another piece of this longstanding puzzle. Laura Carlson Hasler suggests that the concept of archival historiography makes sense of Ezra and Nehemiah's unusual format and place in the Bible. Adapting the symbolic quality of ancient Near Eastern archives to their own purposes, the writers of these books found archiving an expression of religious and social power in a colonized context. Using the book of Esther as a comparative example, Carlson Hasler addresses literary disruption, a form unpalatable to modern readers, as an expected element of archival historiography. This book argues that archiving within the experience of trauma is more than sophisticated history writing, and in fact served to facilitate Judean recovery after the losses of exile.

Archival Information (How to Find It, How to Use It)

From original manuscripts and letters to sound recordings and birth certificates, archival information plays an increasingly important role in modern research. Libraries and the Internet have made finding information on a wide range of topics faster and easier, but not all information—particularly from primary sources—is available via local library branches or online resources. Using archival information presents its own challenges. Materials are often located in many different places: public or academic libraries, government agencies, historical societies, or museums. They are usually kept in secured areas where the public is restricted from browsing. This definitive guide shows novice and experienced researchers how to find archival information. It provides tips on how to use archival materials effectively and efficiently.Topics covered include government archives, science and technology collections, military archives, genealogical records, business and corporate archives, performing arts archives, and sports collections. Also provided is an overview of the world of archives, including archival terminology, how to contact archives, and archival etiquette. Whether searching for a noted author's original manuscripts, trying to locate presidential papers, or tracking down a repository of oral histories, Archival Information is an indispensable reference.

An Archival Journey through the Qatar Peninsula: Elusive and Precarious

This book retrieves from the archives people, places and perspectives normally overlooked to tell an original and expansive history of the Qatar Peninsula, paying close attention to landscape and the natural world. The arc of the book moves geographically through the landscape and chronologically through selected sources, drawing on digitised maps, manuscripts, hydrographic surveys, government records, traveller accounts, early photographs, archaeological and ethnographic reports. While these are standard sources recruited by Qatar to tell its own singular, streamlined history, this book is a subversive reading of those sources. It braids together elusive and precarious stories – difficult to find, at risk of being lost, and never before brought together into a single volume – to write a more complicated story of place. Through them, we can reimagine a place that, like many in the world, works hard to control a limited set of stories about itself. Readers who know something about Qatar will be surprised by the book’s nuances and details. Readers who know little or nothing will be drawn in to discover that, even in the most out-of-the-way and inhospitable places, deserts are never empty.

Archival Silences: Missing, Lost and, Uncreated Archives

Archival Silences demonstrates emphatically that archival absences exist all over the globe. The book questions whether benign ‘silence’ is an appropriate label for the variety of destructions, concealment and absences that can be identified within archival collections. Including contributions from archivists and scholars working around the world, this truly international collection examines archives in Australia, Brazil, Denmark, England, India, Iceland, Jamaica, Malawi, The Philippines, Scotland, Turkey and the United States. Making a clear link between autocratic regimes and the failure to record often horrendous crimes against humanity, the volume demonstrates that the failure of governments to create records, or to allow access to records, appears to be universal. Arguing that this helps to establish a hegemonic narrative that excludes the ‘other’, this book showcases the actions historians and archivists have taken to ensure that gaps in archives are filled. Yet the book also claims that silences in archives are inevitable and argues not only that recordkeeping should be mandated by international courts and bodies, but that we need to develop other ways of reading archives broadly conceived to compensate for absences. Archival Silences addresses fundamental issues of access to the written record around the world. It is directed at those with a concern for social justice, particularly scholars and students of archival studies, history, sociology, international relations, international law, business administration and information science.

Archival Silences: Missing, Lost and, Uncreated Archives

Archival Silences demonstrates emphatically that archival absences exist all over the globe. The book questions whether benign ‘silence’ is an appropriate label for the variety of destructions, concealment and absences that can be identified within archival collections. Including contributions from archivists and scholars working around the world, this truly international collection examines archives in Australia, Brazil, Denmark, England, India, Iceland, Jamaica, Malawi, The Philippines, Scotland, Turkey and the United States. Making a clear link between autocratic regimes and the failure to record often horrendous crimes against humanity, the volume demonstrates that the failure of governments to create records, or to allow access to records, appears to be universal. Arguing that this helps to establish a hegemonic narrative that excludes the ‘other’, this book showcases the actions historians and archivists have taken to ensure that gaps in archives are filled. Yet the book also claims that silences in archives are inevitable and argues not only that recordkeeping should be mandated by international courts and bodies, but that we need to develop other ways of reading archives broadly conceived to compensate for absences. Archival Silences addresses fundamental issues of access to the written record around the world. It is directed at those with a concern for social justice, particularly scholars and students of archival studies, history, sociology, international relations, international law, business administration and information science.

Archival Storytelling: A Filmmaker's Guide To Finding, Using, And Licensing Third-party Visuals And Music

Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them.Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.

Archival Storytelling: A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music

Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you’re a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials—images, audio, or music that you yourself did not create—to use them in your work. This book explains what’s involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.

Archival Storytelling: A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music

Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you’re a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials—images, audio, or music that you yourself did not create—to use them in your work. This book explains what’s involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.

Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music

Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them.Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.

The Archive (Documents Of Contemporary Art Ser.)

This anthology explores ways in which the archive has become central in visual culture’s investigations of history, memory, testimony and identity. Surveying the full diversity of our transformed theoretical and critical notions of the archive, as both idea and as physical presence, this publication includes writings by Sigmund Freud, Michel Foucault, Hal Foster and many others, and essays on the archival practice of such artists as Gerhard Richter, Susan Hiller, Ilya Kabakov, Christian Boltanski, Renée Green and The Atlas Group.

Archive as Detour: Historical Re-enactment in Artist Archive and Archival Art Practices of Contemporary Hong Kong (Contemporary East Asian Visual Cultures, Societies and Politics)

The book brings a new approach to see the art history of Hong Kong as a historical mediator and offers alternative perspective to discern the current hype of archive research and archival art practices, which informs the commitment in the constant production of socio-political meanings through arts. The book addresses the current social-political crises of Hong Kong by connecting art, memory, history, and political participation together through the site of archive and contextualises in both local and global perspectives, it also focuses on the artist archive, namely Ha Bik Chuen Archive, and archival art practices of contemporary Hong Kong, particularly in the social and political unrests, however, it ripples resonance and reflection not only in the local context but also to the region. The book is intended to the readers who are interested in both representational and interpretational nature of art and searching for alternatives means to perceive histories.

The Archive Effect: Found Footage and the Audiovisual Experience of History

The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.

The Archive Effect: Found Footage and the Audiovisual Experience of History

The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.

Archive Fever: A Freudian Impression (Religion and Postmodernism)

In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling. "Judaic mythos, Freudian psychoanalysis, and e-mail all get fused into another staggeringly dense, brilliant slab of scholarship and suggestion."—The Guardian "[Derrida] convincingly argues that, although the archive is a public entity, it nevertheless is the repository of the private and personal, including even intimate details."—Choice "Beautifully written and clear."—Jeremy Barris, Philosophy in Review "Translator Prenowitz has managed valiantly to bring into English a difficult but inspiring text that relies on Greek, German, and their translations into French."—Library Journal

The Archive of Ammon Scholasticus of Panopolis: The Legacy of Harpocration (Abhandlungen der Nordrhein-Westfälischen Akademie der Wissenschaften #26/1)

The Archive of Empire: Knowledge, Conquest, and the Making of the Early Modern British World (The Lewis Walpole Series in Eighteenth-Century Culture and History)

How modern data-driven government originated in the creation and use of administrative archives in the British Empire Over the span of two hundred years, Great Britain established, governed, lost, and reconstructed an empire that embraced three continents and two oceanic worlds. The British ruled this empire by correlating incoming information about the conduct of subjects and aliens in imperial spaces with norms of good governance developed in London. Officials derived these norms by studying the histories of government contained in the official records of both the state and corporations and located in repositories known as archives. As the empire expanded in both the Americas and India, however, this system of political knowledge came to be regarded as inadequate in governing the non-English people who inhabited the lands over which the British asserted sovereignty. This posed a key problem for imperial officials: What kind of knowledge was required to govern an empire populated by a growing number of culturally different people? Using files, pens, and paper, the British defined the information order of the modern state as they debated answers to this question. In tracing the rise and deployment of archives in early modern British imperial rule, Asheesh Kapur Siddique uncovers the origins of our data-driven present.

The Archive of Fear: White Crisis and Black Freedom in Douglass, Stowe, and Du Bois (Oxford Studies in American Literary History)

Focusing on U.S. slavery and its aftermath in the nineteenth century, The Archive of Fear explores the traumatic force field that continued to inflect discussions of slavery and abolition both before and after the Civil War. It challenges the long-assumed distinction between psychological and cultural-historical theories of trauma, discovering a virtual dialogue between three central U. S. writers and Sigmund Freud concerning the traumatic response of slavery's perpetrators. A strain of trauma theory and practice comes alive in the temporal and spatial disruptions of New World slavery-and The Archive of Fear shows how key elements of that theory still inform the infrastructure of race relations today. It argues that trauma theory before Freud first involves a return to an overlap between crisis, insurrection, and mesmerism found in the work of Frederick Douglass, Harriet Beecher Stowe, and W. E. B. Du Bois. Mesmer's "crisis state" has long been read as the precursor to hypnosis, the tool Freud famously rejected when he created psychoanalysis. But the story of what was lost to trauma theory when Freud adopted the "talk cure" can be told through cultural disruptions of New World slavery, especially after mesmerism arrived in Saint Domingue where its implication in the Haitian revolution in both reality and fantasy had an impact on the history of emancipation in the United States.

The Archive of Fear: White Crisis and Black Freedom in Douglass, Stowe, and Du Bois (Oxford Studies in American Literary History)

Focusing on U.S. slavery and its aftermath in the nineteenth century, The Archive of Fear explores the traumatic force field that continued to inflect discussions of slavery and abolition both before and after the Civil War. It challenges the long-assumed distinction between psychological and cultural-historical theories of trauma, discovering a virtual dialogue between three central U. S. writers and Sigmund Freud concerning the traumatic response of slavery's perpetrators. A strain of trauma theory and practice comes alive in the temporal and spatial disruptions of New World slavery-and The Archive of Fear shows how key elements of that theory still inform the infrastructure of race relations today. It argues that trauma theory before Freud first involves a return to an overlap between crisis, insurrection, and mesmerism found in the work of Frederick Douglass, Harriet Beecher Stowe, and W. E. B. Du Bois. Mesmer's "crisis state" has long been read as the precursor to hypnosis, the tool Freud famously rejected when he created psychoanalysis. But the story of what was lost to trauma theory when Freud adopted the "talk cure" can be told through cultural disruptions of New World slavery, especially after mesmerism arrived in Saint Domingue where its implication in the Haitian revolution in both reality and fantasy had an impact on the history of emancipation in the United States.