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Barchester Towers: Large Print (Classics To Go)
by Anthony TrollopeBarchester Towers, published in 1857 by Anthony Trollope, is the second novel in his series known as the "Chronicles of Barsetshire". Among other things it satirises the antipathy in the Church of England between High Church and Evangelical adherents. Trollope began writing this book in 1855. He wrote constantly and made himself a writing-desk so he could continue writing while travelling by train. "Pray know that when a man begins writing a book he never gives over", he wrote in a letter during this period. "The evil with which he is beset is as inveterate as drinking – as exciting as gambling". In his autobiography, Trollope observed "In the writing of Barchester Towers I took great delight. The bishop and Mrs. Proudie were very real to me, as were also the troubles of the archdeacon and the loves of Mr. Slope". When he submitted his finished work, his publisher, William Longman, initially turned it down, finding much of it to be full of "vulgarity and exaggeration". Recent critics offer a more sanguine opinion, "Barchester Towers is many readers' favourite Trollope", wrote The Guardian, which included it in its list of "1000 novels everyone must read". (Wikipedia)
Barchester Towers: The Chronicles of Barsetshire (Oxford World's Classics)
by Anthony Trollope'Mr Slope flattered himself that he could out-manoeuvre the lady...he did not doubt of ultimate triumph.' Barchester Towers (1857) was the book that made Trollope's reputation and it remains his most popular and enjoyable novel. The arrival of a new bishop in Barchester, accompanied by his formidable wife and ambitious chaplain, Obadiah Slope, sets the town in turmoil as Archdeacon Grantly declares 'War, war, internecine war!' on Bishop Proudie and his supporters. Who will come out on top in the battle between the archdeacon, the bishop, Mr Slope, and Mrs Proudie? The livelihood of Mr Harding, the saintly hero of The Warden, is once more under threat but clerical warfare finds itself tangled up in the wayward (and sometimes perverse) desires of the many courtships, seductions, and romances of the book. Who will marry Eleanor Bold? Can any man resist the charms of the exotically beautiful 'La Signora Madeline Vesey Neroni'? Will the oily Mr Slope finally get his comeuppance? Trollope's matchless handling of plot and character displays a skill whose distinctive literary qualities are celebrated in this new edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Barchester Towers: The Chronicles of Barsetshire (Oxford World's Classics)
by Anthony Trollope'Mr Slope flattered himself that he could out-manoeuvre the lady...he did not doubt of ultimate triumph.' Barchester Towers (1857) was the book that made Trollope's reputation and it remains his most popular and enjoyable novel. The arrival of a new bishop in Barchester, accompanied by his formidable wife and ambitious chaplain, Obadiah Slope, sets the town in turmoil as Archdeacon Grantly declares 'War, war, internecine war!' on Bishop Proudie and his supporters. Who will come out on top in the battle between the archdeacon, the bishop, Mr Slope, and Mrs Proudie? The livelihood of Mr Harding, the saintly hero of The Warden, is once more under threat but clerical warfare finds itself tangled up in the wayward (and sometimes perverse) desires of the many courtships, seductions, and romances of the book. Who will marry Eleanor Bold? Can any man resist the charms of the exotically beautiful 'La Signora Madeline Vesey Neroni'? Will the oily Mr Slope finally get his comeuppance? Trollope's matchless handling of plot and character displays a skill whose distinctive literary qualities are celebrated in this new edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Barcode (Object Lessons)
by Dr. Jordan FrithObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Barcodes are about as ordinary as an object can be. Billions of them are scanned each day and they impact everything from how we shop to how we travel to how the global economy is managed. But few people likely give them more than a second thought. In a way, the barcode's ordinariness is the ultimate symbol of its success.However, behind the mundanity of the barcode lies an important history. Barcodes bridged the gap between physical objects and digital databases and paved the way for the contemporary Internet of Things, the idea to connect all devices to the web. They were highly controversial at points, protested by consumer groups and labor unions, and used as a symbol of dystopian capitalism and surveillance in science fiction and art installations. This book tells the story of the barcode's complicated history and examines how an object so crucial to so many parts of our lives became more ignored and more ordinary as it spread throughout the world.Object Lessons is published in partnership with an essay series in The Atlantic.
Barcode (Object Lessons)
by Dr. Jordan FrithObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Barcodes are about as ordinary as an object can be. Billions of them are scanned each day and they impact everything from how we shop to how we travel to how the global economy is managed. But few people likely give them more than a second thought. In a way, the barcode's ordinariness is the ultimate symbol of its success.However, behind the mundanity of the barcode lies an important history. Barcodes bridged the gap between physical objects and digital databases and paved the way for the contemporary Internet of Things, the idea to connect all devices to the web. They were highly controversial at points, protested by consumer groups and labor unions, and used as a symbol of dystopian capitalism and surveillance in science fiction and art installations. This book tells the story of the barcode's complicated history and examines how an object so crucial to so many parts of our lives became more ignored and more ordinary as it spread throughout the world.Object Lessons is published in partnership with an essay series in The Atlantic.
Barcoding Nature: Shifting Cultures of Taxonomy in an Age of Biodiversity Loss
by Claire WatertonDNA Barcoding has been promoted since 2003 as a new, fast, digital genomics-based means of identifying natural species based on the idea that a small standard fragment of any organism�s genome (a so-called �micro-genome�) can faithfully identify and help to classify every species on the planet. The fear that species are becoming extinct before they have ever been known fuels barcoders, and the speed, scope, economy and �user-friendliness� claimed for DNA barcoding, as part of the larger ferment around the �genomics revolution�, has also encouraged promises that it could inspire humanity to reverse its biodiversity-destructive habits.This book is based on six years of ethnographic research on changing practices in the identification and classification of natural species. Informed both by Science and Technology Studies (STS) and the anthropology of science, the authors analyse DNA barcoding in the context of a sense of crisis � concerning global biodiversity loss, but also the felt inadequacy of taxonomic science to address such loss. The authors chart the specific changes that this innovation is propelling in the collecting, organizing, analyzing, and archiving of biological specimens and biodiversity data. As they do so they highlight the many questions, ambiguities and contradictions that accompany the quest to create a genomics-based environmental technoscience dedicated to biodiversity protection. They ask what it might mean to recognise ambiguity, contradiction, and excess more publicly as a constitutive part of this and other genomic technosciences.Barcoding Nature will be of interest to students and scholars of sociology of science, science and technology studies, politics of the environment, genomics and post-genomics, philosophy and history of biology, and the anthropology of science.
Barcoding Nature: Shifting Cultures of Taxonomy in an Age of Biodiversity Loss (Genetics And Society Ser.)
by Claire WatertonDNA Barcoding has been promoted since 2003 as a new, fast, digital genomics-based means of identifying natural species based on the idea that a small standard fragment of any organism�s genome (a so-called �micro-genome�) can faithfully identify and help to classify every species on the planet. The fear that species are becoming extinct before they have ever been known fuels barcoders, and the speed, scope, economy and �user-friendliness� claimed for DNA barcoding, as part of the larger ferment around the �genomics revolution�, has also encouraged promises that it could inspire humanity to reverse its biodiversity-destructive habits.This book is based on six years of ethnographic research on changing practices in the identification and classification of natural species. Informed both by Science and Technology Studies (STS) and the anthropology of science, the authors analyse DNA barcoding in the context of a sense of crisis � concerning global biodiversity loss, but also the felt inadequacy of taxonomic science to address such loss. The authors chart the specific changes that this innovation is propelling in the collecting, organizing, analyzing, and archiving of biological specimens and biodiversity data. As they do so they highlight the many questions, ambiguities and contradictions that accompany the quest to create a genomics-based environmental technoscience dedicated to biodiversity protection. They ask what it might mean to recognise ambiguity, contradiction, and excess more publicly as a constitutive part of this and other genomic technosciences.Barcoding Nature will be of interest to students and scholars of sociology of science, science and technology studies, politics of the environment, genomics and post-genomics, philosophy and history of biology, and the anthropology of science.
Barcraft: Bar and Alcoholic Beverage Service
by Keith Hearn Jennifer MurrayThis book and the two accompanying videos give guidelines for running any establishment that sells drink. The emphasis is on the common principles on how and why tasks are done in the bar and it is seen how radical the changes have been in the last few years.
The Bard: Robert Burns - A Biography
by Robert CrawfordNo writer is more charismatic than Robert Burns and no biographer has captured his energy, brilliance and radicalism as well as Robert Crawford does in The Bard. To his international admirers Burns was a genius, a hero, a warm-hearted friend; yet to the mother of one of his lovers he was a wastrel, to a fellow poet he was 'sprung...from raking of dung', and to his political enemies a 'traitor'. Drawing on a surprising variety of untapped sources - from rediscovered poetry by Burns to manuscript journals, correspondence, interviews and oratory by his contemporaries - this new biography presents the remarkable life, loves and struggles of the great poet.With a poet's insight and a shrewd sense of human drama, Robert Crawford outlines how Burns combined a childhood steeped in the peasant song-culture of rural Scotland with a consummate linguistic artistry to become not only the world's most popular love poet but also the controversial master poet of modern democracy. Written with accessible élan and nuanced attention to Burns's poems and letters, The Bard is the story of an extraordinary man fighting to maintain a sly sense of integrity in the face of overwhelming pressures. This incisive, intelligent biography startlingly demonstrates why the life and work of Scotland's greatest poet still compels the attention of the world a quarter of a millennium after his birth.
The Bard: Robert Burns, A Biography
by Robert CrawfordNo writer is more charismatic than Robert Burns. Wonderfully readable, The Bard catches Burns's energy, brilliance, and radicalism as never before. To his international admirers he was a genius, a hero, a warm-hearted friend; yet to the mother of one of his lovers he was a wastrel, to a fellow poet he was "sprung . . . from raking of dung," and to his political enemies a "traitor." Drawing on a surprising number of untapped sources--from rediscovered poetry by Burns to manuscript journals, correspondence, and oratory by his contemporaries--this new biography presents the remarkable life, loves, and struggles of the great poet. Inspired by the American and French Revolutions and molded by the Scottish Enlightenment, Burns was in several senses the first of the major Romantics. With a poet's insight and a shrewd sense of human drama, Robert Crawford outlines how Burns combined a childhood steeped in the peasant song-culture of rural Scotland with a consummate linguistic artistry to become not only the world's most popular love poet but also the controversial master poet of modern democracy. Written with accessible elan and nuanced attention to Burns's poems and letters, The Bard is the story of an extraordinary man fighting to maintain a sly sense of integrity in the face of overwhelming pressures. This incisive biography startlingly demonstrates why the life and work of Scotland's greatest poet still compel the attention of the world a quarter of a millennium after his birth.
The Bard and the Bible: A Shakespeare Devotional
by Bob Hostetler365 Devotions pairing Scripture from the King James Bible and lines from Shakespeare's plays and sonnets. Includes little known history, curiosities, and facts about words introduced or used in new ways by Shakespeare.
The Bard of Castaguard (Runes of War: The Book of Önd #5)
by Jane WelchDeadly wolves attack throughout the kingdom of Belbidia, while the king's wife-to-be has been kidnapped. For both of these, the Barony of Torra Alta is blamed. The heroes must face magic and blood in their quests to avenge the wrongs done to them and restore the Trinity of priestesses.
Bard of Erin: The Life of Thomas Moore
by Ronan KellyColm Tóibín has called Thomas Moore 'the most influential figure in shaping the Irish political psyche'. In Bard of Erin, Ronan Kelly tells the story of Moore's extraordinary life - from humble beginnings in Dublin to glittering social and literary success in London (at one point his popularity was eclipsed only by that of Sir Walter Scott and his close friend Lord Byron). Ronan Kelly's biography is a gripping and definitive account of a great romantic figure.'A stirring tale of the diminutive would-be duellist whom his friend Byron described as "Masking and humming, / Fifing and drumming, / Guitarring and strumming" in a way we'd not quite see again until the rise of Bob Dylan' Paul Muldoon, TLS Books of the Year'Thanks to Ronan Kelly's enthralling new biography, [Moore] is about to become an important part of our cultural landscape again ... There hasn't been a better biography published in Ireland for many a year' Irish Independent'Vividly absorbing ... an enthusiastic, persuasive and highly readable attempt to restore a full picture of the man ... Everything in this eloquent and intelligent life shows that Moore's achievement decisively transcended the "poetical"' Roy Foster, The Times'a major reassessment ... scholarly and comprehensive ... Kelly makes it clear what fun Moore was' Irish Daily Mail'This new biography of Thomas Moore delights in the reading. Ronan Kelly has done his groundwork well ... A substantial, highly readable examination of the life, social development and cultural significance of a figure who occupies a pivotal position in Irish history, both as an Irish writer of the Romantic period and as "Ireland's National Poet" of a pre-partition era' Sunday Business Post'Definitive ... a fascinating story' John Montague, Irish Times
Bard of Pain (The Three Lands)
by Dusk PetersonIn the battle-weary lands of the Great Peninsula, only one fate is worse than being taken prisoner by the Lieutenant: being taken prisoner if you ARE the Lieutenant. As the world's most skilled torturer struggles with his change of fortune, he finds that his fate is intertwined with the destinies of an idealistic army commander, an affectionate prisoner, and a protege who reveres the Lieutenant's art. . . but is on the wrong side of the conflict. This novella is part of The Three Lands, a fantasy series set in a multicultural world where conflicts over law and spirituality provide opportunities for friendship, and for betrayal.
Bardadrac (World Writing in French: New Archipelagoes #2)
by Gérard GenetteHere is an unexpected Gérard Genette, looking back at his life and time with humour, tenderness and lucidity. ‘Bardadrac’ is the neologism a friend of his once invented to name the jumbled contents of her handbag. A way of saying that one finds a little bit of everything in this book: memories of a suburban childhood, a provincial adolescence and early years in Paris marked by a few political commitments; the evocation of great intellectual figures, like Roland Barthes or Jorge Luis Borges; a taste for cities, rivers, women and music, classical or jazz; contingent epiphanies; good or bad ideas; true and false memories; aesthetic biases; geographical reveries; secret or apocryphal quotations; maxims and characters; asides, quips and digressions; reflections on literature and language, with an ironic take on the medialect, or dialect of the media; and other surprises. At the intersection, for instance, of Flaubert’s Dictionary of Received Ideas, Ambrose Bierce’s Devil’s Dictionary, Renard’s Journal, Roland Barthes’ Roland Barthes and Perec’s I Remember, this whimsical abecedarium invites you to stroll and gather. Gérard Genette (1930-2018) was research director at the École des hautes études en sciences sociales in Paris, and visiting professor at Yale University. Cofounder of the journal Poétique, he published extensively in the fields of literary theory, poetics and aesthetics, including, in English: Narrative Discourse: An Essay in Method (1980), Figures of Literary Discourse (1982), Fiction and Diction (1993), Mimologics (1995), Palimpsests: Literature in the Second Degree (1997), Paratexts: Thresholds of Interpretation (1997), The Work of Art: Immanence and Transcendence (1997), The Aesthetic Relation (1999), Essays in Aesthetics (2005).
Bardic Destinies: A Comparative Study of European Poetic and Indian Kavya-Itihasa Tradition (Critical Humanities Across Cultures)
by Krishna R. KanchithThis volume critically explores the cultural significance and fate of the “literary” in the European and the Indian traditions as it traces the history of the reception of works that have had a deep hold on the lives and sensibilities of people across time and cultures. The book grapples with three major concepts in the humanities—the literary, the philosophical/theological and the historical. It looks at Homer’s reception by Plato; Virgil’s reception by Christianity; the many responses that The Mahabharata has received over centuries and across cultures in India; and the reception of Kumaravyasa’s Kumaravyasabharata, among other works, and analyses the understanding of truth, time and history that influence the reading of these works in different times and cultural contexts. Part of the Critical Humanities across Cultures series, this book will be useful for scholars and researchers of philosophy, literature, history, comparative literature, cultural studies and post-colonial studies.
Bardic Destinies: A Comparative Study of European Poetic and Indian Kavya-Itihasa Tradition (Critical Humanities Across Cultures)
by Krishna R. KanchithThis volume critically explores the cultural significance and fate of the “literary” in the European and the Indian traditions as it traces the history of the reception of works that have had a deep hold on the lives and sensibilities of people across time and cultures. The book grapples with three major concepts in the humanities—the literary, the philosophical/theological and the historical. It looks at Homer’s reception by Plato; Virgil’s reception by Christianity; the many responses that The Mahabharata has received over centuries and across cultures in India; and the reception of Kumaravyasa’s Kumaravyasabharata, among other works, and analyses the understanding of truth, time and history that influence the reading of these works in different times and cultural contexts. Part of the Critical Humanities across Cultures series, this book will be useful for scholars and researchers of philosophy, literature, history, comparative literature, cultural studies and post-colonial studies.
Bardic Nationalism: The Romantic Novel and the British Empire (PDF)
by Katie TrumpenerThis magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
Bardic Nationalism: The Romantic Novel and the British Empire (Literature in History #2)
by Katie TrumpenerThis magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
The Bards of Bone Plain
by Patricia A. McKillipThe latest "rich, resonant" (Publishers Weekly) fantasy from the World Fantasy Award-winning author of The Bell at Sealey Head. Eager to graduate from the school on the hill, Phelan Cle chose Bone Plain for his final paper because he thought it would be an easy topic. Immortalized by poets and debated by scholars, it was commonly accepted-even at a school steeped in bardic tradition-that Bone Plain, with its three trials, three terrors, and three treasures, was nothing more than a legend, a metaphor. But as his research leads him to the life of Nairn, the Wandering Bard, the Unforgiven, Phelan starts to wonder if there are any easy answers...
The Bards of Bromley and Other Plays (Oberon Modern Plays)
by Maureen Lipman Perry PontacHaving produced a new Shakespearean canon in his previous collection of plays Codpieces, Perry Pontac turns his attention to other great names in European culture. The Three Seagulls is a Chekhovian comedy with representative characters drawn from each of Chekhov's major plays, as well as a selection of his plot-lines. The Lunchtime of the Gods is Wagner's Ring recycled into a thirty-minute play telling the entire story, plus several jokes not in the original. And in The Bards of Bromley, the first meeting of a writers' workshop is attended by a group of unusually promising authors: William Wordsworth, George Eliot, August Strindberg, A A Milne and Johan Wolfgang von Goethe