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Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750
by Tanya KevorkianDrawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bach's time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both 'ordinary' people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.
Baroque Science
by Ofer Gal Raz Chen-MorrisIn Baroque Science, Ofer Gal and Raz Chen-Morris present a radically new perspective on the scientific revolution of the seventeenth century. Instead of celebrating the triumph of reason and rationality, they study the paradoxes and anxieties that stemmed from the New Science and the intellectual compromises that shaped it and enabled its spectacular success. Gal and Chen-Morris show how the protagonists of the new mathematical natural philosophy grasped at the very far and very small by entrusting observation to the mediation of artificial instruments, and how they justified this mediation by naturalizing and denigrating the human senses. They show how the physical-mathematical ordering of heavens and earth demanded obscure and spurious mathematical procedures, replacing the divine harmonies of the late Renaissance with an assemblage of isolated, contingent laws and approximated constants. Finally, they show how the new savants, forced to contend that reason is hopelessly estranged from its surrounding world and that nature is irreducibly complex, turned to the passions to provide an alternative, naturalized foundation for their epistemology and ethics. Enforcing order in the face of threatening chaos, blurring the boundaries of the natural and the artificial, and mobilizing the passions in the service of objective knowledge, the New Science, Gal and Chen-Morris reveal, is a Baroque phenomenon: deeply entrenched in and crucially formative of the culture of its time.
Baroque Science
by Ofer Gal Raz Chen-MorrisIn Baroque Science, Ofer Gal and Raz Chen-Morris present a radically new perspective on the scientific revolution of the seventeenth century. Instead of celebrating the triumph of reason and rationality, they study the paradoxes and anxieties that stemmed from the New Science and the intellectual compromises that shaped it and enabled its spectacular success. Gal and Chen-Morris show how the protagonists of the new mathematical natural philosophy grasped at the very far and very small by entrusting observation to the mediation of artificial instruments, and how they justified this mediation by naturalizing and denigrating the human senses. They show how the physical-mathematical ordering of heavens and earth demanded obscure and spurious mathematical procedures, replacing the divine harmonies of the late Renaissance with an assemblage of isolated, contingent laws and approximated constants. Finally, they show how the new savants, forced to contend that reason is hopelessly estranged from its surrounding world and that nature is irreducibly complex, turned to the passions to provide an alternative, naturalized foundation for their epistemology and ethics. Enforcing order in the face of threatening chaos, blurring the boundaries of the natural and the artificial, and mobilizing the passions in the service of objective knowledge, the New Science, Gal and Chen-Morris reveal, is a Baroque phenomenon: deeply entrenched in and crucially formative of the culture of its time.
Baroque Science
by Ofer Gal Raz Chen-MorrisIn Baroque Science, Ofer Gal and Raz Chen-Morris present a radically new perspective on the scientific revolution of the seventeenth century. Instead of celebrating the triumph of reason and rationality, they study the paradoxes and anxieties that stemmed from the New Science and the intellectual compromises that shaped it and enabled its spectacular success. Gal and Chen-Morris show how the protagonists of the new mathematical natural philosophy grasped at the very far and very small by entrusting observation to the mediation of artificial instruments, and how they justified this mediation by naturalizing and denigrating the human senses. They show how the physical-mathematical ordering of heavens and earth demanded obscure and spurious mathematical procedures, replacing the divine harmonies of the late Renaissance with an assemblage of isolated, contingent laws and approximated constants. Finally, they show how the new savants, forced to contend that reason is hopelessly estranged from its surrounding world and that nature is irreducibly complex, turned to the passions to provide an alternative, naturalized foundation for their epistemology and ethics. Enforcing order in the face of threatening chaos, blurring the boundaries of the natural and the artificial, and mobilizing the passions in the service of objective knowledge, the New Science, Gal and Chen-Morris reveal, is a Baroque phenomenon: deeply entrenched in and crucially formative of the culture of its time.
Baroque Science
by Ofer Gal Raz Chen-MorrisIn Baroque Science, Ofer Gal and Raz Chen-Morris present a radically new perspective on the scientific revolution of the seventeenth century. Instead of celebrating the triumph of reason and rationality, they study the paradoxes and anxieties that stemmed from the New Science and the intellectual compromises that shaped it and enabled its spectacular success. Gal and Chen-Morris show how the protagonists of the new mathematical natural philosophy grasped at the very far and very small by entrusting observation to the mediation of artificial instruments, and how they justified this mediation by naturalizing and denigrating the human senses. They show how the physical-mathematical ordering of heavens and earth demanded obscure and spurious mathematical procedures, replacing the divine harmonies of the late Renaissance with an assemblage of isolated, contingent laws and approximated constants. Finally, they show how the new savants, forced to contend that reason is hopelessly estranged from its surrounding world and that nature is irreducibly complex, turned to the passions to provide an alternative, naturalized foundation for their epistemology and ethics. Enforcing order in the face of threatening chaos, blurring the boundaries of the natural and the artificial, and mobilizing the passions in the service of objective knowledge, the New Science, Gal and Chen-Morris reveal, is a Baroque phenomenon: deeply entrenched in and crucially formative of the culture of its time.
Baroque Science
by Ofer Gal Raz Chen-MorrisIn Baroque Science, Ofer Gal and Raz Chen-Morris present a radically new perspective on the scientific revolution of the seventeenth century. Instead of celebrating the triumph of reason and rationality, they study the paradoxes and anxieties that stemmed from the New Science and the intellectual compromises that shaped it and enabled its spectacular success. Gal and Chen-Morris show how the protagonists of the new mathematical natural philosophy grasped at the very far and very small by entrusting observation to the mediation of artificial instruments, and how they justified this mediation by naturalizing and denigrating the human senses. They show how the physical-mathematical ordering of heavens and earth demanded obscure and spurious mathematical procedures, replacing the divine harmonies of the late Renaissance with an assemblage of isolated, contingent laws and approximated constants. Finally, they show how the new savants, forced to contend that reason is hopelessly estranged from its surrounding world and that nature is irreducibly complex, turned to the passions to provide an alternative, naturalized foundation for their epistemology and ethics. Enforcing order in the face of threatening chaos, blurring the boundaries of the natural and the artificial, and mobilizing the passions in the service of objective knowledge, the New Science, Gal and Chen-Morris reveal, is a Baroque phenomenon: deeply entrenched in and crucially formative of the culture of its time.
Baroque Science
by Ofer Gal Raz Chen-MorrisIn Baroque Science, Ofer Gal and Raz Chen-Morris present a radically new perspective on the scientific revolution of the seventeenth century. Instead of celebrating the triumph of reason and rationality, they study the paradoxes and anxieties that stemmed from the New Science and the intellectual compromises that shaped it and enabled its spectacular success. Gal and Chen-Morris show how the protagonists of the new mathematical natural philosophy grasped at the very far and very small by entrusting observation to the mediation of artificial instruments, and how they justified this mediation by naturalizing and denigrating the human senses. They show how the physical-mathematical ordering of heavens and earth demanded obscure and spurious mathematical procedures, replacing the divine harmonies of the late Renaissance with an assemblage of isolated, contingent laws and approximated constants. Finally, they show how the new savants, forced to contend that reason is hopelessly estranged from its surrounding world and that nature is irreducibly complex, turned to the passions to provide an alternative, naturalized foundation for their epistemology and ethics. Enforcing order in the face of threatening chaos, blurring the boundaries of the natural and the artificial, and mobilizing the passions in the service of objective knowledge, the New Science, Gal and Chen-Morris reveal, is a Baroque phenomenon: deeply entrenched in and crucially formative of the culture of its time.
Baroque, Venice, Theatre, Philosophy
by Will DaddarioThis book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
Baroque, Venice, Theatre, Philosophy
by Will DaddarioThis book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
The Baroque Violin & Viola: A Fifty-Lesson Course Volume I
by Walter S. ReiterIn the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume I provides a comprehensive exploration of the period's rich and varied repertoire. Volume I covers the basics of choosing a violin, techniques to produce an ideal sound, and sonatas by Vivaldi and Corelli. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume I: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.
BAROQUE VIOLIN & VIOLA, V2 C: A Fifty-Lesson Course
by Walter S. ReiterIn the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume II provides a comprehensive exploration of the period's rich and varied repertoire. The lessons in Volume II cover the early seventeenth-century Italian sonata, music of the French Baroque, the Galant style, and the sonatas of composers like Schmelzer, Biber, and Bach. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume II: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.
The Baroque Violin & Viola, vol. II: A Fifty-Lesson Course
by Walter S. ReiterIn the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume II provides a comprehensive exploration of the period's rich and varied repertoire. The lessons in Volume II cover the early seventeenth-century Italian sonata, music of the French Baroque, the Galant style, and the sonatas of composers like Schmelzer, Biber, and Bach. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume II: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.
BAROQUE VIOLIN & VIOLA C: A Fifty-Lesson Course Volume I
by Walter S. ReiterIn the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume I provides a comprehensive exploration of the period's rich and varied repertoire. Volume I covers the basics of choosing a violin, techniques to produce an ideal sound, and sonatas by Vivaldi and Corelli. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume I: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.
Baroquemania: Italian visual culture and the construction of national identity, 1898–1945
by Laura Moure CecchiniBaroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Baroquemania: Italian visual culture and the construction of national identity, 1898–1945
by Laura Moure CecchiniBaroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Baroreceptor Reflexes: Integrative Functions and Clinical Aspects
by H. R. Kirchheim P. B. PerssonIt is a great honor and pleasure for me to introduce this book; an honor, because of the scientific renown and authority of the investigators who have edited the volume and contributed the chapters; a pleasure, because my own long-lasting interest in the baroreflexes has always gone in the same directions as those along which the authors of this book have conceived and organized their work. It is particularly meaningful, in my opinion, that the very title of this volume underlines the integrative functions and the clinical aspects of baroreceptor reflexes. Under the aspect of integration, it is more and more apparent that baroreceptor reflexes, though preponderantly influencing cardiovascular functions, are not limited to cardiovascular control. Their influence on respiration has been well known since the earliest studies on baroreflexes, and wider influences have more recently been shown, e. g. , on hormone release, on sleep and vigilance, and on emotional behavior. Even within the scope of cardiovascular regulation, the integrated action of baroreflexes is not only directly exerted on the heart and blood vessels, but is also exerted through more devious but no less important routes, such as renin release from juxtaglomerular cells and sodium and water reabsorption by the renal tubules.
Barra and Zaman: Reading Egyptian Modernity in Shadi Abdel Salam’s The Mummy (Palgrave Studies in Arab Cinema)
by Youssef RakhaBrilliantly introduced by Nezar Andary, this book is a work of creative nonfiction that approaches writing on film in a fresh and provocative way. It draws on academic, literary, and personal material to start a dialogue with the Egyptian filmmaker Shadi Abdel Salam’s The Mummy (1969), tracing the many meanings of Egypt’s postcolonial modernity and touching on Arab, Muslim, and ancient Egyptian identities through watching the film.
Barrack Buddies and Soldier Lovers: Dialogues With Gay Young Men in the U.S. Military
by Steven ZeelandAmong all the literature published on gays in the military, Steven Zeeland’s first book remains one of a kind. Barrack Buddies and Soldier Lovers is a raw, unsanitized personal record of conversations the author had with young soldiers and airmen stationed in Frankfurt, Germany. Zeeland’s intimate involvement with these men enabled him to document in honest, visceral terms the day-to-day reality of gay military men’s lives and how they work, play, and, in many instances, how the military actually helped them come out. Ironically, despite the military’s antigay policies, these men found that military service placed them in environments where they had to come to terms with their erotic feelings for other men, and sent them overseas to places where they found greater freedom to explore their sexuality than they could have back home. While a few of Zeeland’s buddies were targeted for discharge, most portray an atmosphere of sexually tense tolerance and reveal a surprising degree of openness with straight co-workers and roommates.The 16 fascinating interviews in Barrack Buddies and Soldier Lovers challenge popular assumptions and stereotypes about gay men in the military and provide significant information on: gay military sexual networks male sexual fluidity in barracks life strategies for survival as a gay or bisexual male in the U.S. military German-American relations attitudes toward the gay banThe casual, conversational structure of Barrack Buddies and Soldier Lovers makes it a richly entertaining read. No other book provides such a warm and intimate portrait of the lives of young gay soldiers and airmen.Visit Steven Zeeland at his home page: http://www.stevenzeeland.com
Barrack Buddies and Soldier Lovers: Dialogues With Gay Young Men in the U.S. Military
by Steven ZeelandAmong all the literature published on gays in the military, Steven Zeeland’s first book remains one of a kind. Barrack Buddies and Soldier Lovers is a raw, unsanitized personal record of conversations the author had with young soldiers and airmen stationed in Frankfurt, Germany. Zeeland’s intimate involvement with these men enabled him to document in honest, visceral terms the day-to-day reality of gay military men’s lives and how they work, play, and, in many instances, how the military actually helped them come out. Ironically, despite the military’s antigay policies, these men found that military service placed them in environments where they had to come to terms with their erotic feelings for other men, and sent them overseas to places where they found greater freedom to explore their sexuality than they could have back home. While a few of Zeeland’s buddies were targeted for discharge, most portray an atmosphere of sexually tense tolerance and reveal a surprising degree of openness with straight co-workers and roommates.The 16 fascinating interviews in Barrack Buddies and Soldier Lovers challenge popular assumptions and stereotypes about gay men in the military and provide significant information on: gay military sexual networks male sexual fluidity in barracks life strategies for survival as a gay or bisexual male in the U.S. military German-American relations attitudes toward the gay banThe casual, conversational structure of Barrack Buddies and Soldier Lovers makes it a richly entertaining read. No other book provides such a warm and intimate portrait of the lives of young gay soldiers and airmen.Visit Steven Zeeland at his home page: http://www.stevenzeeland.com
The Barracks (Faber Fiction Classics Ser.)
by John McGahern'Marvellous.' Susan Hill, The TimesElizabeth Reegan, after years of freedom - and loneliness - marries into the enclosed Irish village of her upbringing. The children are not her own; her husband is straining to break free from the servile security of the police force; and her own life, threatened by illness, seems to be losing the last vestiges of its purpose. Moving between tragedy and savage comedy, desperation and joy, John McGahern's first novel is one of haunting power.'The details are evoked with a scrupulous yet enhancing accuracy that reminds one of the young Joyce. He is astonishingly successful in penetrating the mind of a mature woman confronted with pain and death. Mr McGahern is the real thing.' Spectator
Barracks Bad Boys: Authentic Accounts of Sex in the Armed Forces
by Alex BuchmanUnmistakably original, utterly heartfelt, stranger than fiction, hotter than any off-the-rack gay fantasy! Building on the success of his extraordinary debut-the critically acclaimed, #1 "men&’s interest" bestseller A Night in the Barracks-former U.S. Marine Alex Buchman presents a spellbinding, startlingly unique collection of erotic memoirs by or about "bad boys" in the Armed Forces. Buchman&’s radical approach to an otherwise rigidly formulaic sub-genre: he does the legion of purportedly "true confessions" books with a military theme one better: the first-person narratives he has assembled actually are true. Boldly defying the conventions of gay male "one-handed reading," the unembellished chronicles Buchman brings us from the intensely homoerotic secret world of men in uniform are more erotically charged than any porn-by-numbers fantasy. The theme of Barracks Bad Boys is trouble. All-too-true stories of criminally sexy soldiers and sailors in trouble, who cause trouble, or who just plain are trouble. The unvarnished accounts of romance with baby-faced deserters bound for the brig make for riveting reading. Equally gripping is the disarmingly candid pillow talk of young military men whose trouble runs deeper than mere "unauthorized absence" or "indecent acts." Some of the surprises you&’ll encounter in Barracks Bad Boys include: a straight, married soldier&’s detailed description of his one and only sexual experience with another man a seasoned military chaser&’s review of his all-time favorite sailor-hustlers a dazed gay studies author&’s "I should have known better" journal documenting how young sailors half his age seduced him, gave him street drugs, and pressured him to videotape them performing lewd acts Editor Buchman&’s own offbeat and powerful story of being taken by surprise by the sexual advance of a Marine sergeant who began rubbing Buchman&’s chest and asking him if he felt an "urge to be evil . . ." By turns hair-raising and wrenching, poignant and laugh-out-loud funny, these authentic accounts of sex in the Armed Forces are sure to elicit one universal reaction: no one could make this up! Barracks Bad Boys is compulsory reading for anyone interested in men in uniform; human sexuality in the military; and cutting-edge nonfiction literary erotica.
Barracks Bad Boys: Authentic Accounts of Sex in the Armed Forces
by Alex BuchmanUnmistakably original, utterly heartfelt, stranger than fiction, hotter than any off-the-rack gay fantasy! Building on the success of his extraordinary debut-the critically acclaimed, #1 "men&’s interest" bestseller A Night in the Barracks-former U.S. Marine Alex Buchman presents a spellbinding, startlingly unique collection of erotic memoirs by or about "bad boys" in the Armed Forces. Buchman&’s radical approach to an otherwise rigidly formulaic sub-genre: he does the legion of purportedly "true confessions" books with a military theme one better: the first-person narratives he has assembled actually are true. Boldly defying the conventions of gay male "one-handed reading," the unembellished chronicles Buchman brings us from the intensely homoerotic secret world of men in uniform are more erotically charged than any porn-by-numbers fantasy. The theme of Barracks Bad Boys is trouble. All-too-true stories of criminally sexy soldiers and sailors in trouble, who cause trouble, or who just plain are trouble. The unvarnished accounts of romance with baby-faced deserters bound for the brig make for riveting reading. Equally gripping is the disarmingly candid pillow talk of young military men whose trouble runs deeper than mere "unauthorized absence" or "indecent acts." Some of the surprises you&’ll encounter in Barracks Bad Boys include: a straight, married soldier&’s detailed description of his one and only sexual experience with another man a seasoned military chaser&’s review of his all-time favorite sailor-hustlers a dazed gay studies author&’s "I should have known better" journal documenting how young sailors half his age seduced him, gave him street drugs, and pressured him to videotape them performing lewd acts Editor Buchman&’s own offbeat and powerful story of being taken by surprise by the sexual advance of a Marine sergeant who began rubbing Buchman&’s chest and asking him if he felt an "urge to be evil . . ." By turns hair-raising and wrenching, poignant and laugh-out-loud funny, these authentic accounts of sex in the Armed Forces are sure to elicit one universal reaction: no one could make this up! Barracks Bad Boys is compulsory reading for anyone interested in men in uniform; human sexuality in the military; and cutting-edge nonfiction literary erotica.
Barracoon: The Story Of The Last "black Cargo"
by Zora Neale HurstonAbducted from Africa, sold in America. “A deeply affecting record of an extraordinary life”- Daily Telegraph A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker.
Barracuda: From the author of THE SLAP
by Christos TsiolkasHe loses everything. In front of everyone.Where does he go from here? Barracuda is the blazingly brilliant new novel from the author of the phenomenal bestseller The Slap. Daniel Kelly, a talented young swimmer, has one chance to escape his working-class upbringing. His astonishing ability in the pool should drive him to fame and fortune, as well as his revenge on the rich boys at the private school to which he has won a sports scholarship. Everything Danny has ever done, every sacrifice his family has ever made, has been in pursuit of his dream. But when he melts down at his first big international championship and comes only fifth, he begins to destroy everything he has fought for and turn on everyone around him. Tender and savage, Barracuda is a novel about dreams and disillusionment, friendship and family. As Daniel Kelly loses everything, he learns what it means to be a good person - and what it takes to become one. REVIEW"Tsiolkas writes with compelling clarity about the primal stuff that drives us all: the love and hate and fear of failure... A brilliant, beautiful book. If it doesn't make you cry, you can't be fully alive." (Sunday Times) "I finished Barracuda on a high: moved, elated, immersed... This is the work of a superb writer who has completely mastered his craft but lost nothing of his fiery spirit in so doing. It is a big achievement." (Guardian) "Terrific ." (Kate Saunders, The Times) "Masterful, addictive, clear-eyed storytelling about the real business of life: winning and losing." (Viv Groskop, Red Online) "This involving and substantial tale - surprisingly tender for all its sweary shock-value - is carried swiftly along by Tsiolkas's athletic, often lyrical prose." Daily Mail "The Slap, Christos Tsiolkas's bestselling previous novel declared 'Welcome to Australia in the early 21st century.' The same semi-ironic sentiment echoes throughout Barracuda, which is, if anything, an even greater novel... It may tell an old, old story, but it has rarely been told in a better way." (Sunday Telegraph) "Christos Tsiolkas is in his natural element, with sentences gliding elegantly until the reader is utterly submerged in this absorbing story." (Metro) "This is a compelling, moving novel about identity, failure and the redemptive power of family" (Mail on Sunday) Acclaim for The Slap: "A cool, calm, irresistible masterpiece." (Chris Cleave)"The Slap is nothing short of a tour de force." (Colm Tóibín)"Honestly, one of the three or four truly great novels of the new millennium." (John Boyne)"Now and then a book comes along that defines a summer. This year that book is The Slap." Daily Telegraph "As addictive as the best soap opera." Daily Mail See Christos talk about Barracuda http://atlantic-books.co.uk/barracuda