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Experimental Film and Queer Materiality
by Juan A. Su?rezOften described as an art of abstraction and subjective introspection, experimental film is also invested in exploring daily objects and materials and in channeling, in the process, a peculiar perception of the modern everyday that this book calls queer materiality. Queer materiality designates the queer latency of modern material culture, which often inspired queer artists and filmmakers to envision wayward bodies and behaviors, and refers to the way in which sexual and social dissidence was embedded in the objects, technologies, substances, and spaces that make up the hardware of experience. This book studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hern?ndez. Combining history, formal analysis, and theoretical reflection, author Juan A. Su?rez shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, amphetamine, film grain, and noise have been mobilized in the articulation of queerness for the screen. Experimental Film and Queer Materiality is an inquiry into the liveliness of matter and into the interface between sexuality and the material world.
Experimental Film and Queer Materiality
by Juan A. Su?rezOften described as an art of abstraction and subjective introspection, experimental film is also invested in exploring daily objects and materials and in channeling, in the process, a peculiar perception of the modern everyday that this book calls queer materiality. Queer materiality designates the queer latency of modern material culture, which often inspired queer artists and filmmakers to envision wayward bodies and behaviors, and refers to the way in which sexual and social dissidence was embedded in the objects, technologies, substances, and spaces that make up the hardware of experience. This book studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hern?ndez. Combining history, formal analysis, and theoretical reflection, author Juan A. Su?rez shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, amphetamine, film grain, and noise have been mobilized in the articulation of queerness for the screen. Experimental Film and Queer Materiality is an inquiry into the liveliness of matter and into the interface between sexuality and the material world.
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion
by Sarah Gleeson-WhiteSilent Film and the Formations of U.S. Literary Culture: Literature in Motion argues that the emergence of motion pictures constituted a defining moment in U.S. literary history. Author Sarah Gleeson-White discovers what happened to literary culture-both popular and higher-brow?when inserted into the spectacular world of motion pictures during the early decades of the twentieth century. How did literary culture respond to, and how was it altered by, the development of motion pictures, literature's exemplar and rival in narrative realism and enthrallment? Gleeson-White draws on extensive archival film and literary materials, and unearths a range of collaborative, cross-media expressive and industrial practices to reveal the manifold ways in which early-twentieth-century literary culture sought both to harness and temper the reach of motion pictures.
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion
by Sarah Gleeson-WhiteSilent Film and the Formations of U.S. Literary Culture: Literature in Motion argues that the emergence of motion pictures constituted a defining moment in U.S. literary history. Author Sarah Gleeson-White discovers what happened to literary culture-both popular and higher-brow?when inserted into the spectacular world of motion pictures during the early decades of the twentieth century. How did literary culture respond to, and how was it altered by, the development of motion pictures, literature's exemplar and rival in narrative realism and enthrallment? Gleeson-White draws on extensive archival film and literary materials, and unearths a range of collaborative, cross-media expressive and industrial practices to reveal the manifold ways in which early-twentieth-century literary culture sought both to harness and temper the reach of motion pictures.
The Oxford Handbook of Video Game Music and Sound (Oxford Handbooks)
by William Gibbons and Mark Grimshaw-AagaardThe music and sounds of video games have become an inescapable part of our world. Not only do these sonic elements profoundly shape the experiences of billions of players every day, but also the soundscapes of games have stretched out from our living rooms to encompass spaces as diverse as pinball arcades, concert halls, museums, and classrooms across the globe. Research on game music and sound is equally diverse-a vibrant, innovative, and multifaceted field that incorporates approaches from media studies, musicology, sound studies, music theory, psychology, and more. Drawing on the expertise of leading scholars and practitioners from around the globe, The Oxford Handbook of Video Game Music and Sound features nearly 50 chapters on topics ranging from the earliest pinball machines to the latest in virtual reality technology. The resulting volume provides both a comprehensive introduction to the study of game audio and an indispensable resource for experts.
The Oxford Handbook of Video Game Music and Sound (Oxford Handbooks)
The music and sounds of video games have become an inescapable part of our world. Not only do these sonic elements profoundly shape the experiences of billions of players every day, but also the soundscapes of games have stretched out from our living rooms to encompass spaces as diverse as pinball arcades, concert halls, museums, and classrooms across the globe. Research on game music and sound is equally diverse-a vibrant, innovative, and multifaceted field that incorporates approaches from media studies, musicology, sound studies, music theory, psychology, and more. Drawing on the expertise of leading scholars and practitioners from around the globe, The Oxford Handbook of Video Game Music and Sound features nearly 50 chapters on topics ranging from the earliest pinball machines to the latest in virtual reality technology. The resulting volume provides both a comprehensive introduction to the study of game audio and an indispensable resource for experts.
Sesame Street: A Transnational History
by Helle Strandgaard JensenIn Sesame Street: A Transnational History, author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, Sesame Street became a commodity that its producers assertively marketed all over the world. Sesame Street: A Transnational History combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon. Contrary to the producers' oft-publicized claims of Sesame Street's universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as Sesame Street met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media. In contrasting the positive receptions and renunciations of Sesame Street, Jensen demonstrates that it was only after a substantial rethinking of Sesame Street's aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the Sesame Street we know today.
Acoustics of Empire: Sound, Media, and Power in the Long Nineteenth Century
by Peter Mcmurray and Priyasha MukhopadhyayMusic and sound studies have increasingly turned their attention to questions of empire and postcolonial thought in recent years, raising new questions about the forms and circulation of cultural, technological, political, and military power as manifest in and through sound. However, most of this scholarship has focused on the twentieth and twenty-first centuries. Conversely, sound and media studies have made nineteenth-century histories of science and technology a central part of their canonical repertoire, but largely overlooked the ways in which these technological developments emerged from contexts of empire. Acoustics of Empire provides a cultural history of global acoustics in the Age of Empire. Examining histories of sound, listening practices, and audiovisual technologies of the long nineteenth century through the lens of geopolitical power, the authors recover a sonic history that is irrefutably entangled with questions of imperial power and colonial rule. This volume brings together historians, musicologists, anthropologists, and literary scholars to consider topics ranging from Indian music treatises and vocal practices in Brazil to Egyptian traffic noises and stethoscopes-as-props in South Africa. Across its chapters more broadly, it also draws attention to a period when Euro-American academic disciplines like musicology and linguistics were created, shaped by the imperial contexts in which they emerged. These intertwined legacies of sound and power are not simply historical curiosities; rather, they stand as formative influences in cultural modernity and its discontents that continue to shape the ways we hear and experience the world today.
Acoustics of Empire: Sound, Media, and Power in the Long Nineteenth Century
Music and sound studies have increasingly turned their attention to questions of empire and postcolonial thought in recent years, raising new questions about the forms and circulation of cultural, technological, political, and military power as manifest in and through sound. However, most of this scholarship has focused on the twentieth and twenty-first centuries. Conversely, sound and media studies have made nineteenth-century histories of science and technology a central part of their canonical repertoire, but largely overlooked the ways in which these technological developments emerged from contexts of empire. Acoustics of Empire provides a cultural history of global acoustics in the Age of Empire. Examining histories of sound, listening practices, and audiovisual technologies of the long nineteenth century through the lens of geopolitical power, the authors recover a sonic history that is irrefutably entangled with questions of imperial power and colonial rule. This volume brings together historians, musicologists, anthropologists, and literary scholars to consider topics ranging from Indian music treatises and vocal practices in Brazil to Egyptian traffic noises and stethoscopes-as-props in South Africa. Across its chapters more broadly, it also draws attention to a period when Euro-American academic disciplines like musicology and linguistics were created, shaped by the imperial contexts in which they emerged. These intertwined legacies of sound and power are not simply historical curiosities; rather, they stand as formative influences in cultural modernity and its discontents that continue to shape the ways we hear and experience the world today.
Can You Be a Catholic and a Feminist?
by Julie Hanlon RubioAn eminent theologian addresses an enduring--but newly urgent--question Is it possible to be both a faithful Catholic and an avowed feminist? Earlier generations of feminists first formulated answers to this question in the 1970s. Their views are still broadly held, but with increasing tentativeness and a growing sense of their inadequacy. Even now, Catholic women and men still say, "It's my Church and I'm not leaving," "Change will only happen if people like me stay and fight," and "The Church's work for social justice is more important than the issues that concern me as a feminist." Yet in a post-#MeToo, #ChurchToo moment, when the Church seems disconnected from struggles for racial justice and LGBTQ inclusion, those answers sound increasingly insufficient. Today, tensions between Catholicism and feminism are more visible and ties to Catholic communities are increasingly weak. Can Catholic feminism survive? Julie Hanlon Rubio argues that it can. But if it is going to do so, it is necessary to rethink how women and men who experience the pull of feminism and Catholicism can credibly claim both identities. In Can You Be a Catholic and a Feminist? Rubio argues that Catholic feminist identity is only tenable if we frankly acknowledge tensions between Catholicism and feminism, bring forward shared concerns, and embrace the future with ambiguity and creativity. Rubio explores the potential for synergy and dialogue between Catholics and feminists through various lenses, including sexual violence, gender theory, pregnancy and pre-natal loss, work-life balance, relationships and family life, spirituality, conscience, and what it means to be human. This book gives those who struggle to balance Catholicism and feminism a credible path to authentic belonging.
Can You Be a Catholic and a Feminist?
by Julie Hanlon RubioAn eminent theologian addresses an enduring--but newly urgent--question Is it possible to be both a faithful Catholic and an avowed feminist? Earlier generations of feminists first formulated answers to this question in the 1970s. Their views are still broadly held, but with increasing tentativeness and a growing sense of their inadequacy. Even now, Catholic women and men still say, "It's my Church and I'm not leaving," "Change will only happen if people like me stay and fight," and "The Church's work for social justice is more important than the issues that concern me as a feminist." Yet in a post-#MeToo, #ChurchToo moment, when the Church seems disconnected from struggles for racial justice and LGBTQ inclusion, those answers sound increasingly insufficient. Today, tensions between Catholicism and feminism are more visible and ties to Catholic communities are increasingly weak. Can Catholic feminism survive? Julie Hanlon Rubio argues that it can. But if it is going to do so, it is necessary to rethink how women and men who experience the pull of feminism and Catholicism can credibly claim both identities. In Can You Be a Catholic and a Feminist? Rubio argues that Catholic feminist identity is only tenable if we frankly acknowledge tensions between Catholicism and feminism, bring forward shared concerns, and embrace the future with ambiguity and creativity. Rubio explores the potential for synergy and dialogue between Catholics and feminists through various lenses, including sexual violence, gender theory, pregnancy and pre-natal loss, work-life balance, relationships and family life, spirituality, conscience, and what it means to be human. This book gives those who struggle to balance Catholicism and feminism a credible path to authentic belonging.
The Oxford Handbook of Radio and Podcasting (Oxford Handbooks)
by Michele Hilmes and Andrew J. BottomleyRadio today remains the most accessible and widely available communication medium worldwide, despite technological shifts and a host of upstart challengers. Since its origins in the 1920s, radio has innovated a new world of sound culture - now expanded into the digital realm of podcasting that is enabling the medium to reach larger audiences than ever before. Yet radio remains one of the least studied of the major areas of communication arts, due largely to its broadcast-era ephemerality. With the advent of digital technology, radio's past has been unlocked and soundwork is exploding as a creative field, creating a lively and diverse sonic present while simultaneously making critical historical analysis possible at last. This volume offers newly commissioned chapters giving readers a wide-ranging view of current critical work in the fields of radio and podcasting, employing specific case studies to analyze sound media's engagement with the arts; with the factual world of news, talk, and documentary programming; as a primary means of forging community along with national, transnational, and alternative identities; and as a subject of academic and critical research. Its historical scope extends from radio's earliest days, through its mid-twentieth century decades as the powerful voice of nations and empires, onto its transformation into a secondary medium during the television era, and into the expanding digital present. Over the course of 37 chapters, it provides evidence of the sound media's flexibility and adaptation across diverse cultures by examining radio's past and present uses in regions including the United States, Canada, Britain, Australia, Poland, China, Korea, Kenya, Angola and Mozambique, South Asia, and the Caribbean. Contributors include historians and media scholars as well as sound artists and radio/podcast producers. Notably, companion links to digital ?quotations? from works analyzed are included in many chapters along with chapter audiographies offering links to further listening. Throughout, The Oxford Handbook of Radio and Podcasting connects radio's broadcast past to its digital present, and traces themes of creativity, identity, community, nation, and transnationality across more than a century of audio media.
The Oxford Handbook of Radio and Podcasting (Oxford Handbooks)
Radio today remains the most accessible and widely available communication medium worldwide, despite technological shifts and a host of upstart challengers. Since its origins in the 1920s, radio has innovated a new world of sound culture - now expanded into the digital realm of podcasting that is enabling the medium to reach larger audiences than ever before. Yet radio remains one of the least studied of the major areas of communication arts, due largely to its broadcast-era ephemerality. With the advent of digital technology, radio's past has been unlocked and soundwork is exploding as a creative field, creating a lively and diverse sonic present while simultaneously making critical historical analysis possible at last. This volume offers newly commissioned chapters giving readers a wide-ranging view of current critical work in the fields of radio and podcasting, employing specific case studies to analyze sound media's engagement with the arts; with the factual world of news, talk, and documentary programming; as a primary means of forging community along with national, transnational, and alternative identities; and as a subject of academic and critical research. Its historical scope extends from radio's earliest days, through its mid-twentieth century decades as the powerful voice of nations and empires, onto its transformation into a secondary medium during the television era, and into the expanding digital present. Over the course of 37 chapters, it provides evidence of the sound media's flexibility and adaptation across diverse cultures by examining radio's past and present uses in regions including the United States, Canada, Britain, Australia, Poland, China, Korea, Kenya, Angola and Mozambique, South Asia, and the Caribbean. Contributors include historians and media scholars as well as sound artists and radio/podcast producers. Notably, companion links to digital ?quotations? from works analyzed are included in many chapters along with chapter audiographies offering links to further listening. Throughout, The Oxford Handbook of Radio and Podcasting connects radio's broadcast past to its digital present, and traces themes of creativity, identity, community, nation, and transnationality across more than a century of audio media.
Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Broadway Legacies)
by Elizabeth T. CraftPlaywright, composer, actor, director, and producer George M. Cohan looms large in musical theater legend. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy," and his statue stands in the heart of the New York theater district. Cohan's early twentieth-century shows and songs captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. He was an Irish American who had the audacity to represent himself as the Yankee Doodle emblem of the nation, a vaudevillian who had the nerve to unapologetically climb the ranks and package his lower-brow style as Broadway. In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich reading for Broadway musical aficionados as well as scholars of musical theater and American cultural history.
Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Broadway Legacies)
by Elizabeth T. CraftPlaywright, composer, actor, director, and producer George M. Cohan looms large in musical theater legend. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy," and his statue stands in the heart of the New York theater district. Cohan's early twentieth-century shows and songs captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. He was an Irish American who had the audacity to represent himself as the Yankee Doodle emblem of the nation, a vaudevillian who had the nerve to unapologetically climb the ranks and package his lower-brow style as Broadway. In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich reading for Broadway musical aficionados as well as scholars of musical theater and American cultural history.
America's Scientific Treasures: A Travel Companion
by Brenda H. Cohen Stephen M. CohenWhether you are planning a road trip or looking to engage with history from the comfort of your couch, the second edition of America's Scientific Treasures is sure to satisfy your craving for scientific and technologic history. Stephen M. Cohen and Brenda H. Cohen, a mother-son pair, take readers through countless museums, arboretums, zoos, national parks, planetariums, natural and technological sites, and the homes of a few scientists in this exciting volume. The two combine their expertise in chemistry and history, making this an educational travel guide for science and technology enthusiasts. The book is split into nine geographic regions and organized by state, and it includes how to get to each place, whom to contact, whether it is handicapped-accessible, and even where you can grab a bite to eat nearby. Cohen and Cohen provide the history and significance of each location, plus they offer images for notable locations like the African Savanna at the San Francisco Zoo & Gardens and the Smithsonian Arctic Studies Center in the Anchorage Museum. The resulting book is a navigable travel guide perfect for any science or technology enthusiast. So, what are you waiting for? Let's take a journey through the history of American sciences and engineering.
An Introduction To Behavioral Endocrinology, Sixth Edition (Sinauer Ser.)
by Randy J. Nelson Lance J. KriegsfeldThe market-leading text, An Introduction to Behavioral Endocrinology, Sixth Edition provides an updated, integrated presentation of the study of hormone-behavior-brain interactions. Maintaining a comparative approach, the text explores the endocrine mechanisms that have evolved in both human and nonhuman animals to solve common problems in survival and reproduction. The text describes interactions among hormones, brain, and behavior from a historical perspective, emphasizing connections among key theories and tracing the emergence of important hypotheses. The book is organized around the conceptual theme that hormones affect behavior by influencing one or more of three "components" of behaving animals--input mechanisms (such as sensory or perceptual processes), the central processing mechanisms of the nervous system (either directly, or by affecting its development or structure), and output mechanisms (such as effectors or peripheral structures). Despite increased coverage of molecular and cellular approaches, the book strives for accessibility for non-biological science students. An Introduction to Behavioral Endocrinology, Sixth Edition, is appropriate for upper-level undergraduate and graduate courses in psychology, biology, anthropology, or zoology. It contains several important pedagogical features: *Learning objectives are set out at the beginning of each chapter and now include 3 multiple choice questions per objective in the enhanced ebook. *Learning Activity in each chapter (new to this edition) *Key terms are defined in the margins throughout the text. *The text is richly illustrated with color photographs and drawings. *Chapter-end summaries restate important points. *Discussion questions and suggested further readings are also included in each chapter. *The text contains nearly 2,400 references to the literature in behavioral endocrinology. RESOURCES For Students As with previous editions, the book is accompanied by animations, video, web links, sound files, a complete glossary, and graphics--accessible via Oxford Learning Link--to aid in understanding the material in the text. This edition will also include an enhanced ebook. For Instructors -The Instructor's Resource Library includes electronic versions of all the textbook's figures and tables. All images are provided as both high- and low-resolution JPEGs, formatted and optimized for excellent legibility when projected. All figures and tables are also provided in ready-to-use PowerPoint presentations. -The Test Bank includes multiple-choice, short-answer, and essay questions for each chapter of the textbook. Prepared by the author, these questions are a helpful resource that can greatly speed the process of preparing exams and quizzes for the course.
The Oxford Handbook of American Buddhism (Oxford Handbooks)
by Ann Gleig and Scott A. MitchellFirst brought to the United States in the nineteenth century by Chinese and Japanese immigrants, Buddhism has become a major feature of the North American religious, cultural, and social landscape. Nearly every form of Asian Buddhism has some presence in North America in addition to a variety of Buddhist ?convert? communities, hybrid communities, and ?secular? Buddhist networks. Buddhist-derived practices such as mindfulness meditation have been deployed in health care and educational settings, the military, and the business sector. The Oxford Handbook of American Buddhism guides readers through the rich terrain of American Buddhism, illuminating the diversity of Buddhist communities and identities, exploring the innovations that have emerged from the cross-fertilization of Buddhism and American culture, and extending the theoretical and methodological boundaries that have shaped the study of American Buddhism. The Handbook is organized into four parts: Foundations, Traditions, Practices, and Frames. The essays in this volume both build upon and go beyond previous scholarship, reexamining foundational topics while recovering neglected histories, centering marginalized identities, and analyzing the intersections between Buddhist practice and scholarship.
States of Health: The Ethics and Consequences of Policy Variation in a Federal System
by Leslie P. Francis John G. FrancisIs it morally or politically acceptable to have wide differences in the quality of health care when one crosses a state line? Federalism in the United States has been defended as a political structure that enables people to coexist in a single polity despite deep disagreements about some of the most fundamental aspects of human life. This federalism of the compound republic of the United States can create space for difference and latitude for innovation, and its flexibility in levels of policy enactment can allow for fruitful state-level experimentation, especially in the areas of health and health care, which has long been celebrated. However, when federalism results in significant differences in health care availability within a single country-with abortion being the tip of the iceberg of these differences, albeit a very pointed one-it can generate enormous ethical challenges for health care providers and their patients. These challenges often engender questions of what should be considered an enduring right: Which freedoms should transcend borders? States of Health identifies the practical relevance of federalism to people facing ethical decisions about health and health care, and it considers the theoretical justifications for permissible differences among states. It asks whether authority over important aspects of health is misaligned in the United States today, with some matters problematically left to the states while others are taken over by the federal government. Health care is a basic good, central to the ability of people to flourish. If state policies result in a landscape where residents of some states can flourish in ways that residents of other states cannot, the mutuality of a federal union might be threatened. States of Health reminds us that there are some divisions that a nation cannot endure.
States of Health: The Ethics and Consequences of Policy Variation in a Federal System
by Leslie P. Francis John G. FrancisIs it morally or politically acceptable to have wide differences in the quality of health care when one crosses a state line? Federalism in the United States has been defended as a political structure that enables people to coexist in a single polity despite deep disagreements about some of the most fundamental aspects of human life. This federalism of the compound republic of the United States can create space for difference and latitude for innovation, and its flexibility in levels of policy enactment can allow for fruitful state-level experimentation, especially in the areas of health and health care, which has long been celebrated. However, when federalism results in significant differences in health care availability within a single country-with abortion being the tip of the iceberg of these differences, albeit a very pointed one-it can generate enormous ethical challenges for health care providers and their patients. These challenges often engender questions of what should be considered an enduring right: Which freedoms should transcend borders? States of Health identifies the practical relevance of federalism to people facing ethical decisions about health and health care, and it considers the theoretical justifications for permissible differences among states. It asks whether authority over important aspects of health is misaligned in the United States today, with some matters problematically left to the states while others are taken over by the federal government. Health care is a basic good, central to the ability of people to flourish. If state policies result in a landscape where residents of some states can flourish in ways that residents of other states cannot, the mutuality of a federal union might be threatened. States of Health reminds us that there are some divisions that a nation cannot endure.
Global Race War: International Politics and Racial Hierarchy
by Alexander D. BarderInternational Relations theory assumes that the struggle for power is not only ahistorical but that international politics is necessarily the realm of a perpetual struggle for power between states. However, by looking beyond the state, the study of global politics may itself reveal the importance of alternative imaginaries just as historically salient as that of the state system. In particular, this book argues that a specific racial imaginary has, over the past two centuries, cut across politically defined state boundaries to legitimate practices of genocidal violence against so-called "enemy races." In Global Race War, Alexander D. Barder shows how the very idea of global order was based on racial hierarchy and difference. Barder traces the emergence of this global racial hierarchy from the early 19th century to the present to explain how a historical racial global order unraveled over the first half of the 20th century, continued during the Cold War, and reemerged during the Global War on Terror. As Barder shows, imperial, racial, and geopolitical orders intersected over time in ways that violently tore apart the imperial and sovereign state system and continue to haunt politics today. Examining global politics in terms of race and racial violence reveals a different spatial topology across domestic and global politics. Moreover, global histories of racial hierarchy and violence have important implications for understanding the continued salience of race within Western polities. Global Race War revisits two centuries of international history to show the important consequences of a global racial imaginary that continues to reverberate across time and space.
Making Sense of Recordings: How Cognitive Processing of Recorded Sound Works
by Mads Walther-HansenBuilding on ideas from cognitive metaphor theory, Making Sense of Recordings offers a new perspective on record production, music perception, and the aesthetics of recorded sound. It shows how the language about sound is intimately connected to sense-making - both as a reflection of our internal cognitive capacities and as a component of our extended cognitive system. In doing so, the book provides the foundation for a broader understanding of the history of listening, discourses of sound quality, and artistic practices in the age of recorded music. The book will be of interest to anyone who asks how recorded music sounds and why it sounds as it does, and it will be a valuable resource for musicology students and researchers interested in the analysis of sound and the history of listening and record production. Additionally, sound engineers and laptop musicians will benefit from the book's exploration of the connection between embodied experiences and our cognitively processed experiences of recorded sound. The tools provided will be useful to these and other musicians who wish to intuitively interact with recorded or synthesized sound in a manner that more closely resembles the way they think and that makes sense of what they do.
Ramism and the Reformation of Method: The Franciscan Legacy in Early Modernity (Oxford Studies in Historical Theology)
by Simon J. BurtonRamism and the Reformation of Method offers a fresh exploration of the philosophical and theological presuppositions of the early modern movement of Ramism. It shows how Ramism was grounded in medieval Augustinian and Franciscan thought and charts its reception within the wider movement of Reformed scholasticism. It thereby challenges a widespread narrative associating Reformed Protestantism with disenchantment and the onset of secularism. Tracing a broad arc from Ramus to Comenius, it examines the nature and formation of Ramism and its subsequent development and transformation, revealing that Ramism was at the epicentre of a methodological revolution which came to profoundly impact every sphere of early modern thought. For its devotees, Ramism became the hallmark of a truly Christian philosophy and theology, the divine pattern of all reality, and the key to restoring a unified Christendom. Fundamental to Ramism was a dynamic convergence of ontology, epistemology, and theology resonating with Franciscan reform. In particular, Ramism was profoundly indebted to an eclectic Neo-Platonist and Scotist approach to reality and developed as a supernatural logic of faith patterned on Scripture. It was also expressed according to a wider mathematization and systematization of knowledge grounded in Cusan and Fabrist ideals. Ramism and the Reformation of Method exposes the deep roots of the early modern encyclopaedia in medieval and Renaissance thought and shows how Ramism was realized in an important Edenic paradigm, issuing in a Trinitarian and eschatological drive for the universal reform of Church and society.
Ramism and the Reformation of Method: The Franciscan Legacy in Early Modernity (Oxford Studies in Historical Theology)
by Simon J. BurtonRamism and the Reformation of Method offers a fresh exploration of the philosophical and theological presuppositions of the early modern movement of Ramism. It shows how Ramism was grounded in medieval Augustinian and Franciscan thought and charts its reception within the wider movement of Reformed scholasticism. It thereby challenges a widespread narrative associating Reformed Protestantism with disenchantment and the onset of secularism. Tracing a broad arc from Ramus to Comenius, it examines the nature and formation of Ramism and its subsequent development and transformation, revealing that Ramism was at the epicentre of a methodological revolution which came to profoundly impact every sphere of early modern thought. For its devotees, Ramism became the hallmark of a truly Christian philosophy and theology, the divine pattern of all reality, and the key to restoring a unified Christendom. Fundamental to Ramism was a dynamic convergence of ontology, epistemology, and theology resonating with Franciscan reform. In particular, Ramism was profoundly indebted to an eclectic Neo-Platonist and Scotist approach to reality and developed as a supernatural logic of faith patterned on Scripture. It was also expressed according to a wider mathematization and systematization of knowledge grounded in Cusan and Fabrist ideals. Ramism and the Reformation of Method exposes the deep roots of the early modern encyclopaedia in medieval and Renaissance thought and shows how Ramism was realized in an important Edenic paradigm, issuing in a Trinitarian and eschatological drive for the universal reform of Church and society.
Love and the Working Class: The Inner Worlds of Nineteenth Century Americans
by Karen LystraLove and the Working Class is a unique look at the emotions of hard-living, nineteenth-century Americans who were often on the cusp of literacy. These laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved. This book displays the personal expression of factory hands, manual laborers, peddlers, coopers, carpenters, lumbermen, miners, tanners, haulers, tailors, seamstresses, laundresses, domestics, sharecroppers, independent farmers, and common soldiers and their wives. Entering the ?anonymous corners? of these people's lives through letters, we can see their humor, grit, hope, heartache, and endurance, and grasp what they believed and felt about themselves, their kinfolk, and their friends. As much as possible, these working-class Americans living in the nineteenth century speak to contemporary readers in their own words. Often armed with only a third or fourth grade education, they could read but had limited instruction in writing. Yet they sat down to compose a letter, often spurred by a range of experience including the Gold Rush, westward expansion, slavery, the Emancipation Proclamation, and what was arguably the most important event in nineteenth-century America, the Civil War. During the war, poor, undereducated soldiers and their families wrote letters in a quantity never before seen in American history. Using letters written to parents, siblings, husbands, wives, friends, and potential mates between 1830 and 1880, Karen Lystra identifies the shared conceptions of love and practices of courtship and marriage within a racially diverse population of free working-class people born in America. Readers can listen to their voices as they flirt, act as intermediaries in hometown courtships, express non-romantic love to their mates, tease each other, and voice their hopes for the future. Through these personal letters, poor, minimally schooled Americans show us how they felt about love and how they created meaningful attachments in their uncertain lives.