Dutch Neorealism, Cinema, and the Politics of Painting, 1927–1945

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Synopsis

This study offers a radically new perspective on Dutch Neorealism, one that emphasizes the role of film as an apparatus, the effects of which, when emulated in painting, can reproduce the affective experience of film-watching.More of a tendency than a tightly defined style or "ism," Neorealism is the Dutch variant of Magic Realism, an uncanny mode of figurative painting identified with Neue Sachlichkeit in Germany and Novecento in Italy. Best represented by the Dutch artists Pyke Koch, Carel Willink, Charley Toorop, Raoul Hynckes, Dick Ket, and Wim Schuhmacher, Neorealism—as demonstrated in this book—depicted societal disintegration and allegories of looming disaster in reaction to the rise of totalitarian regimes and, eventually, the Nazi Occupation of The Netherlands. The degree to which these artists exhibited either revolutionary or reactionary sentiments—usually corresponding with their political affiliation—is one of the central problematics explored in this text.The book will be of interest to scholars working in art history, World War II history, and film studies.

Book details

Series:
Routledge Research in Art and Politics
Author:
Stephanie Lebas Huber
ISBN:
9781040135129
Related ISBNs:
9781040135198, 9781032680330, 9781032680262
Publisher:
Taylor & Francis
Pages:
N/A
Reading age:
Not specified
Includes images:
No
Date of addition:
2024-08-16
Usage restrictions:
Copyright
Copyright date:
2025
Copyright by:
N/A 
Adult content:
No
Language:
English
Categories:
Art and Architecture, History, Nonfiction